The Wonderful Story of RavaletteRandolph, Paschal Beverly
Science
The Wonderful Story of Ravalette
Randolph, Paschal Beverly
Rosicrucians -- Fiction; Spiritualism -- Fiction
“Thus assured, several of us asked the thing to show us what it could
do. Whereupon it made motions as if it wanted to write. Paper and pencil
being placed upon the table, it seized the pencil with its long
claw-like fingers, and its hand flew over the page like lightning, and
in ten seconds it finished, and striking the table three heavy blows
with its fist, signified that it had finished; whereupon Mr. D----
reached for the sheet, and read therefrom one of the most tender
messages conceivable, from a dead mother to a living son. Even the hand
writing was a perfect _fac-simile_ of his mother’s; the name--Lucy--was
correct, and certain dear and peculiar phrases, used by her when alive,
were given with minute precision and fidelity; as, for instance, ‘sweet
one, mine,’ instead of ‘my sweet one.’ Mr. D---- turned pale. ‘Is it
possible I have been so imposed upon--so horribly deceived?’ said he,
for he was a devout follower of the modern thaumaturgy.
“Several further tests, equally successful and decisive, were then given
by this ghostly thing, both by writing, tipping, rapping, and the
production of beautiful phantom hands, faces, flowers, and other
objects, many of which were not only singular but magnificent. Probably
thousands of persons have seen the curious pencil drawings, executed by
‘mediums,’ and which are said to be portraits of ‘Spiritual
flowers’--for most certainly they resemble nothing growing on this
earth. Well, in less than five minutes the horrible thing there at the
table, the eyeless monster, executed thirteen such--and they would pass
current as splendid specimens of ‘Spirit art.’
“‘Now,’ said Vatterale, ‘for something else.’ And then addressing the
thing, he said: ‘You will now render yourself viewless, and show what
you can do. And first let us have some music.’ Then turning to the
company, he said: ‘Real spirits love the light, but such as _that_
invariably act most efficiently in the dark--for then they have the
advantage of the elements condensed upon their forms--a semi-material
investiture--and can come in direct contact with material substances,
which, in the case of real spirits, is exceedingly difficult of
accomplishment.’
Public-domain text, read in full here on John Shaqi.
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