The Wonderful Story of RavaletteRandolph, Paschal Beverly
Science
The Wonderful Story of Ravalette
Randolph, Paschal Beverly
Rosicrucians -- Fiction; Spiritualism -- Fiction
“As the old gentleman finished what I at first regarded as a diatribe
against Animal Magnetism--a thing, by the way, that I always doted on--I
_felt_ silent, and was so for the space of a minute, during which time I
rapidly reviewed my entire experience in, and knowledge of, Mesmerism,
and the result of the inspection surprised me not a little, for on a
calm, disinterested view of the whole subject, I found it utterly
impossible to gainsay or invalidate his position and assertions. Yet it
was equally impossible to help feeling chagrined, and in no small
degree mortified to have my pet hobby thus mercilessly cut up and
dissected, laughed at, and thrown out as dog-feed. ’Twas very hard fare,
at least to me, and at first seemed unfair also. For a long time I had
almost worshipped it as a divine science; holding it to be the true
Spiritual Telegraph, by means of which we earthlings might flash
thought, not only to the bounds of the globe and the Present, but also
to the ends of Time and the Ages Past, or nerved by Hope and Curiosity,
dispatch a message to the Great Future and drag back the answer. It was
looked upon as the great Messenger of Light, through whom we might
easily read the records of a Past so distant that the coal-beds are but
yesterday’s creations in comparison. And here, at one fell stroke,
Ravalette had toppled the castle remorselessly about my ears. I bit my
lip with vexation, and for awhile was silent as, together, we walked up
and down a sort of natural esplanade on the sides of the hill next
Paris. Mechanically as we walked back and forth, I trod in the
footprints made while going, on each return, and just as mechanically
observed that Ravalette did the same. One thing struck me as curious,
even while my mind was profoundly engaged in the search for arguments
wherewith to confute and break down the old gentleman’s positions; and
that fact was this: The shoes worn by Ravalette were of a very singular
pattern, totally unlike any I had ever seen before. Upwardly, they were
decidedly triangular--almost perfectly so. Previously this fact had
escaped my notice; now, it struck me as being _very_ singular. But what
was equally surprising was, that instead of the ordinary heel and sole,
his feet-gear had four circular rims of brass, covered with rubber, and
the track he made on the yielding, but plastic ground was indeed
remarkable. The track and the shoe almost upset my cogitations. I looked
up and observed a smile on Ravalette’s face as he saw my surprise at
beholding the novelty of one cross, two crescents and two triangles, and
a solid bar (part of the cross), ornamenting the sole of a shoe, if shoe
it could be called.
“‘That,’ said he, divining my thought, ‘is and yet is not a mere fancy
of mine. I have a peculiar reverence for those figures, as you may
plainly see.’ And with this he drew my attention to an exquisite brooch
or pin in his bosom.
Public-domain text, read in full here on John Shaqi.
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