A Swiss asked to see the shade of William Tell. The phantom of the great
archer was evoked with apparently as much ease as the others. Delille,
who was present, called for Virgil, whose Georgics he had lately
translated. The poet appeared, having in his hand a laurel crown, which
he held out to his French commentator. Many other equally extraordinary
apparitions were shown at the will of various individuals in the
audience, and towards the end of the evening Robertson showed his
judgment, and under very difficult circumstances. A royalist who was
present asked for the phantom of Louis XVI., the appearance of which
would no doubt have raised a tumult amongst so many red-hot Republicans,
had not Robertson replied that before the 18th Fructidor, the day on
which the French republic declared that royalty was abolished for ever,
he had had a receipt for bringing dead kings to life again, but that
same day he lost it, and feared that he should never recover it again.
The answer was said to have been whispered to Robertson by his friend
Ponthieu, who saw the difficulty he was in. It was supposed that the
demand was prompted by an agent of the police, who for some cause had a
spite against Robertson. In any case the affair made such a noise that
the next day the exhibition was prohibited by those in authority, and
seals were placed upon the optician’s boxes and papers. The exhibition
was, however, afterwards allowed to be continued, and was so successful
that it had to be transferred to the old Capuchin convent near the Place
Vendôme.
Public-domain text, read in full here on John Shaqi.
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