If the reader is in possession of a concave mirror, it may be made the
means of performing a number of amusing experiments. In front of it is
placed a plaster head, a skull or any other object, mounted on wheels
and running along a grooved platform, which is naturally kept perfectly
concealed from the spectators. The mirror is slightly inclined, so as to
reflect the image of the object at an angle to the observer’s eye. By
running the cast backwards and forwards, it will have the appearance of
advancing and retiring from the spectator in a very imposing manner. A
dagger may be substituted for the cast, and by being made to work up and
down on a pivot, will have the appearance of striking at the spectator.
We have already seen that an experiment of this sort had such an effect
on Louis XIV. that he drew his sword to defend himself from his
imaginary aggressor. There is another way of performing this trick, by
suddenly illuminating the skull or dagger by means of a dark-coloured
box containing a light, which may be made to throw its reflections on
the object, by sliding it along a couple of wires. In the case of the
dagger, however, the hinged arrangement will be found more effective.
[Illustration:
FIG. 61.—Protection against ill-natured people.
]
One of Robertson’s tricks was called the “Magic Box,” and he astonished
a numerous party of visitors who were staying at a country house to
which he had been invited. One of the gentlemen who was always boasting
of his freedom from superstitious feelings of any kind, had had several
arguments with Robertson on the subject of apparitions, and the latter
thought that he would at any rate surprise his strong-minded friend by
an easy trick or two. He consequently chose as his confederate a lady to
whom the gentleman had been paying great attention during the time of
his visit. Robertson one evening mysteriously delivered a small box to
him, which he was to place upon his toilet table, and unlock exactly at
midnight. The gentleman did so, and what was his astonishment to see the
face of the lady with whose charms he had been so deeply impressed
suddenly spring out of the box. His look of terror and surprise was
evidently too much for Robertson’s confederate, who burst into a merry
peal of laughter, leaving her admirer in a very disconcerted state.
After all we have said on the subject of mirrors, it is not difficult to
guess how this trick was performed. The box in question was painted
black on the inside, and contained a concave mirror placed at an angle
of 45°. The reflection of the lady, who was of course in the next room,
was carried by means of several plane mirrors placed in boxes
communicating with each other through the partition of the room, the
head of the lady only being strongly illuminated, the rest of her figure
not appearing by being kept quite dark.
Public-domain text, read in full here on John Shaqi.
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