Before going into the causes that produce these colours, let us first
examine their number and position. Beginning at the top, we shall find
that they run in the following order:—Violet, indigo, blue, green,
yellow, orange, red. The red being lowest is called the least
refrangible of them all; or, in other words, in passing through the
prism it was bent less out of its course than its companions. Violet,
being at the top, is of course the most refrangible. The cause of the
separation of the colours of white light is consequently only the effect
of their individual character. They were, so to speak, so many streams
flowing together until an unexpected deviation in their course caused
them to separate. This change in the direction of their flow brought out
their personal individuality, and they at once became completely
disunited.
Every single tint in the prismatic spectrum is simple, and cannot be
decomposed. This may be shown by passing any of them through another
prism, when it will be found that no change will take place in the
colour or size of the pencil. Hence those worlds already spoken of,
whose light of day is red, blue, or green, never see any colours but
these. (Fig. 6, Frontispiece).
It is just as easy to reunite the colours into which white light is
decomposed, by applying a second prism in a reversed position to the
pencil of coloured light, as it is to separate them in the first
instance. The method of accomplishing this is shown in fig. 7,
Frontispiece.
[Illustration:
FIG. 8.—The Recomposition of Light.
]
Another experiment in the same direction consists in reuniting the
colours by causing them to pass through a double convex lens, behind
which is placed a screen of ground glass, or a card (fig. 8). By
advancing and withdrawing this screen we can easily find the exact spot
where the rays reunite, and form a dazzling spot of white light. This
point is called the focus, from a Latin word, signifying “fire-place,” a
term which will put the student in mind of the frequently repeated
experiment of burning a piece of paper with an ordinary
magnifying-glass.
Instead of using a lens, you can, if you please, employ a concave
mirror, using the ground glass or cardboard screen, as before. The
colours reflected by the mirror unite at its focus, and produce a
brilliant white spot in just as conclusive a manner as in the other
experiment.
[Illustration:
Fig. 9.—Recomposition of Light by means of a Concave Mirror.
]
A fourth experiment, which is somewhat more difficult for the student to
accomplish, consists in causing every one of the seven different colours
to be reflected from a separate mirror.
Public-domain text, read in full here on John Shaqi.
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