Part of the gladiators of Pompeii were Greeks, and part were real
barbarians. The traces that they have left in the little city show that
they got along quite merrily there. 'Tis true that they could not live,
as they did at Rome, in close intimacy with emperors and empresses, but
they were, none the less, the spoiled pets of the residents of Pompeii.
Lodged in a sumptuous barrack, they must have been objects of envy to
many of the population. The walls are full of inscriptions concerning
them; the bathing establishments, the inns, and the disreputable haunts,
transmit their names to posterity. The citizens, their wives, and even
their children admired them. In the house of Proculus, at no great
height above the ground, is a picture of a gladiator which must have
been daubed there by the young lad of the house. The gladiator whose
likeness was thus given dwelt in the house. His helmet was found there.
So, then, he was the guest of the family, and Heaven knows how they
feasted him, petted him, and listened to him.
In order to see the gladiators under arms, we must pass over the part of
the city that has not yet been uncovered, and through vineyards and
orchards, until, in a corner of Pompeii, as though down in the bottom of
a ravine, we find the amphitheatre. It is a circus, surrounded by tiers
of seats and abutting on the city ramparts. The exterior wall is not
high, because the amphitheatre had to be hollowed out in the soil. One
might fancy it to be a huge vessel deeply embedded in the sand. In this
external wall there remain two large arcades and four flights of steps
ascending to the top of the structure. The arena was so called because
of the layer of sand which covered it and imbibed the blood.
It is reached by two large vaulted and paved corridors with a quite
steep inclination. One of these is strengthened with seven arches that
support the weight of the tiers. Both of them intersect a transverse,
circular corridor, beyond which they widen. It was through this that the
armed gladiators, on horseback and on foot, poured forth into the arena,
to the sound of trumpets and martial music, and made the circuit of the
amphitheatre before entering the lists. They then retraced their steps
and came in again, in couples, according to the order of combat.
Public-domain text, read in full here on John Shaqi.
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