The wonders of the world : $b a complete museum, descriptive and pictorial, of the wonderful phenomena and results of nature, science and artAbbott, John Loraine
Science
The wonders of the world : $b a complete museum, descriptive and pictorial, of the wonderful phenomena and results of nature, science and art
Abbott, John Loraine
Curiosities and wonders
The diamond works on the river Jigitonhonha are described by Mr. Mawe as
the most important in the Brazilian territory. The river, in depth from
three to nine feet, is intersected by a canal, beneath the head of which
it is stopped by an embankment of several thousand bags of sand, its
deeper parts being laid dry by chain-pumps. The mud is now washed away,
and the =cascalhao=, or earth which contains the diamonds, dug up, and
removed to a convenient place for washing. The process, which is as
follows, is seen in the cut on the next page. A shed, consisting of
upright posts which support a thatched roof, is erected in the form of a
parallelogram, in length about ninety feet, and in width forty-five.
Down the middle of its area a current of water is conveyed through a
canal covered with strong planks, on which the earth is laid to the
thickness of two or three feet. On the other side of the area is a
flooring of planks, from twelve to fifteen feet in length, imbedded in
clay, extending the whole length of the shed, and having a gentle slope
from the canal. This flooring is divided into about twenty compartments,
or troughs, each about three feet wide, by means of planks placed on
their edges; and the upper ends of these troughs communicate with the
canal, being so formed that water is admitted into them between two
planks about an inch separate from each other. Through this opening the
current falls about six inches into the trough, and may be directed to
any part of it, or stopped at pleasure, by means of a small quantity of
clay. Along the lower ends of the troughs a small channel is dug, to
carry off the water.
[Illustration: DIAMOND WASHING IN BRAZIL.]
Public-domain text, read in full here on John Shaqi.
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