Artists -- Fiction; Short stories, American; Storytelling -- Fiction
Murphy, not to be outdone, and recognizing that his turn had come,
remarked in a low voice that my story of big game reminded him "of
something in his own experience," at which Boggs twisted his head to
listen. It was evident to Boggs, and to the other habitués, that if the
Irishman talked as well as he sang he would not only be a welcome guest
at these "nights" but he might also attain to full membership in the
charmed circle. Of one thing everybody was assured--there was no "water
in his oil."
"It's about a fellow countryman of Mr. MacWhirter's, a Scotchman by the
name of MacDuff," the Irishman began.
"Me a Scotchman!" cried Mac; "I'm only half Scotch--wish I was a whole
one."
"That's because you took to beer and left off drinking whiskey," laughed
Murphy. "MacDuff stuck to his national beverage. That's what helped him
to keep his end up. All this happened at an English country house."
Here Boggs hitched his chair closer so that he might lead the applause
if this new departure of his friend as a story-teller failed at first to
make the expected hit, and thus needed his encouragement.
"Up in Devonshire," continued Murphy, "a very noble lord (his ancestors
were something in beer, I think) was giving a dinner to Lord Ponsonby,
K.C.B., Y.Z., and maybe P.D.Q., for all I know. Ponsonby had just
returned from India, where he had distinguished himself in Her Majesty's
service; stamped out a mutiny, perhaps, by hanging the natives, or
otherwise disporting himself after the manner of his kind.
"Imagine the interior of the dining-room, if you please, gentlemen--the
walls panelled in black oak; sideboards to match, covered with George
the Third silver and bearing the new coat-of-arms; noiseless servants in
knee breeches, except the head butler in funereal black--black as a
raven and as awkward; old family portraits on the walls; big windows
overlooking the lawn sweeping to the river, with rabbits and pheasants
making free until the shooting season opened. At the head of the table
sat the noble lord, presiding with a smile that was an inch deep on his
face. On his right sat the distinguished diplomat with a bay window in
front of him, resting on the edge of the table, and kept snugly in place
by a white waistcoat; red face, burgundy red, with daily washings of
champagne to lend some tone to the color; gray side-whiskers with gray
standing hair, straight up like a shoe brush; big jowls of cheeks;
flabby mouth; two little restless eyes like a terrier's, and a voice
like a fog-horn with an attack of croup. When he glanced down the table
everybody expected fifty lashes; he had learned that look in India and
carried it with him; it was part of his stock in trade.
Public-domain text, read in full here on John Shaqi.
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