Artists -- Fiction; Short stories, American; Storytelling -- Fiction
"Well, let's have it; out with it!" insisted Marny.
"What would I want? Why just what I've got. An easy chair, a pipe, a dog
once in a while, some books, a wood fire, and you on the other side, old
man," and he laid his hand affectionately on Marny's shoulder.
"Anything more?" asked Boggs, who had been eying his friend closely.
"Yes; a picture that really satisfied me, instead of the truck I'm
turning out."
"And you can think of nothing else?" asked Boggs, still keeping his eyes
on Mac, his own face struggling with a suppressed smile.
"No--" Then catching the twinkle in Boggs's eyes--"What?"
"A climbing millionnaire to buy it and a swell Murray Hill palace to
hang it up in," laughed Boggs.
Mac smiled faintly and leaned forward in his chair, the glow of the fire
lighting up his kindly face. For some minutes he did not move; then a
half-smothered sigh escaped him.
Instantly there rose in my mind the figure of the girl in the steamer
chair, the roses in her lap.
"Was there nothing more?" I asked myself.
PART VIII
_In Which Murphy and Lonnegan Introduce Some Mysterious Characters._
The Old Building was being treated to a sensation, the first of the
winter, or rather the first of the spring, for the squatty Japanese bowl
standing on top of Mac's mantel was already filled with pussy-willows
which the great man had himself picked on one of his strolls under the
Palisades.
Strange things were going on downstairs. Outside on the street curb
stood a darkey in white cotton gloves, in the main door stood another,
the two connected by a red carpet laid across the sidewalk; at the end
of the dingy corridor stood a third, and inside the room on the right a
fourth and fifth--all in white gloves and all bowing like salaaming
Hindoos to a throng of people in smart toilettes.
Woods was having a tea!
Public-domain text, read in full here on John Shaqi.
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