The Woodman: A Romance of the Times of Richard IIIJames, G. P. R. (George Payne Rainsford)
History
The Woodman: A Romance of the Times of Richard III
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- Richard III, 1483-1485 -- Fiction
He paused and thought; but, before many minutes had passed, the music
burst forth again, rising and falling in solemn swell and cadence,
evidently many voices singing some holy song. It came from far; no
articulate sounds reached his ear; but music is a language--a language
understood by the whole earth--speaking grand truths to the heart;
wordless, but more eloquent than all words. If he was not softened
before, he was softened now; if his spirit before had been tied down
to earthly passions, it was now, for a time at least, elevated, above
himself.
I have said "for a time;" for Richard had described him rightly. He
was a man of varying moods, naturally generous, high-minded, kind, but
subject to all the impulses of the clay, and in whom there was an
everlasting warfare between the mortal and immortal. He thought of
Iola, and her beauty, and the dreams which in his imaginative heart he
had dreamed of her; and still that wild and thrilling strain sounded
in his ears amidst the solemn scene, raising his feelings up, above
selfishness, and worldly lessons, to generous feelings and noble
aspirations. He thought what a grand though melancholy joy it would be
to give her happiness even by the sacrifice of his own. Something of
pride might mingle with it too; for, in the picture of the mind, Iola
was seen confessing that she had misunderstood him, and admiring where
she could not love; but still it was not a low pride; and he felt more
satisfied, more at peace with himself. His eyes wandered over the
space before him, and he recollected how he had seen it that very day,
as he rode towards the castle, lighted up with sunshine, bursting
forth into green life, and full of the song of birds. Now it was all
grey and still, with no sounds, but that faint echo-like hymn, pouring
on the air like the dirge of departed hopes. It seemed a picture of
his own fate, so lately lighted up with bright expectations, and now
all dark and cold.
Suddenly, on the green slope beyond the walls, he saw a figure--a
woman's figure, clad in white. With a quiet gliding motion, it walked
quickly on; and, ere he had recovered from his surprise, it had
disappeared amongst the first trees at the nearest angle of the wood.
He thought it looked like Iola, that its movements were like hers, so
easy, so effortless, so graceful. He turned towards the place where he
knew her chamber was, and gazed up. There was a light still burning
there, and, as he gazed, a female figure passed across the window.
CHAPTER XXVI.
Public-domain text, read in full here on John Shaqi.
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