The Woodman: A Romance of the Times of Richard IIIJames, G. P. R. (George Payne Rainsford)
History
The Woodman: A Romance of the Times of Richard III
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- Richard III, 1483-1485 -- Fiction
The passages in the house formed a cross, dividing it into four equal
parts. Before him, all was vacant; and he could see clear through, by
a door at the back, into a little orchard behind; but he heard a
woman's voice speaking on the left, and now he was sure that she was
answered in the tones of Iola. Walking on then, he turned up the
passage on that side, and saw the woman servant coming forth from the
door of a room. She closed the door suddenly behind her, when she
beheld a man in the passage, and demanded sharply what he wanted.
"I wish to speak with the lady in that room," replied Chartley. "When
she knows who it is, she will see me, I am sure."
"Nonsense, nonsense, young man," replied the woman. "There is no lady
there. That is a store room."
"Then your stores speak, my good woman," answered Chartley; "for I
heard a voice which I know right well talking to you."
"Go away, go away," replied the woman, who, in the dark passage where
Chartley stood, could not see his dress, or judge of his station. "Go
away, or I will call in the men to make you."
"All the men in the neighbourhood would not make me," answered
Chartley aloud. "At least, not till I see that lady. Tell her it is
Lord Chartley. If she bids me go, I will."
The words had scarcely passed his lips, when the door through which
the woman had just passed was thrown open, light suddenly streamed
into the passage, and Iola herself ran out, exclaiming: "Chartley, is
that you? Nay, nay, you are rash indeed. You should not have come."
"But, now I have come, you will not bid me go," said Chartley, taking
her hand, and kissing it. He put some restraint upon himself to keep
his lips from hers.
"I cannot bid you go at once," answered Iola, bending her eyes down,
with the colour rising in her cheek; "but you must go soon, and not
return again, unless I send."
"This is hard," answered Chartley; "but still, I shall not feel it so
much now I know where you are, and can hover round the neighbourhood,
like a dove over its nest, watching the treasure of its love."
"Nay, Chartley, you are no dove," answered Iola, with a smile. "Open
that other door, Catherine, and watch well from the windows that no
one approaches. Come in hither, Chartley," she continued, as the woman
opened the door of a room opposite to that from which she had come.
"Here is my little hall. No grand reception room, yet sweet and
pleasant."
A floor of dried and hard beaten clay, a low roof with all the rafters
shown, walls covered with mere whitewash, an unpolished oaken table,
and seats of wood, did not make the room seem less bright and sweet to
Chartley when Iola was there. She herself was dressed as a mere
cottage girl, and doubtless, when the mantle and hood, then worn in
the middle and lower ranks of life, were added, an unobserving eye
might hardly have recognized her; but she did not look less lovely to
the eyes of him who sat beside her.
Public-domain text, read in full here on John Shaqi.
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