The Workers: An Experiment in Reality. The EastWyckoff, Walter A. (Walter Augustus)
History
The Workers: An Experiment in Reality. The East
Wyckoff, Walter A. (Walter Augustus)
Unemployed -- United States; Working class -- United States
I wait for a pause in the work, and try to screw my courage to the
sticking-point; and then I tell Mr. Hill that the landlord at the
tavern has sent me to him in the belief that he needs a man, and I add
that I shall be glad of a job. Without preliminary questions Mr. Hill
engages me on the spot, and makes me an offer of board and lodging,
and seventy-five cents a day, which, he says, is the usual rate on
the farms at that season. I close with the bargain, and ask to be set
to work immediately. A minute later I am walking up the lane with a
message for Mrs. Hill, to the effect that I am the new "hired man," and
that she will please give me, to take to the pond, a certain "broad
hoe" from the wagon-house.
Mrs. Hill understands the situation at once; she makes no comment, but
goes with me to the wagon-house, where she points out the hoe among
other tools in a corner. She has said nothing so far, and I feel a
little uncomfortable, but now she turns to me with a frank directness
of manner that is very reassuring.
"I ain't got no room for you in the house, but I guess you'll be
comfortable sleeping out here. You can fetch your grip, and I'll show
you your bed."
Pack in hand, I follow her up the steps to the loft of the wagon-house,
and she points to a cot near the farther window and a wooden chair
beside it. "Some time to-day I'll make up your bed, and if there's
anything you want you can tell me." This is her final word as she
leaves me to return to the house. I slip on my overalls and take note
of my new quarters. Windows at both ends of the loft provide ample
ventilation. The cot is covered with a corn-husk mattress, as clean
and fresh as a cock of new hay. The very floor is free from dust.
The rafters hang thick with bunches of seed-corn on the cob, with
their outer husks removed and the inner husks drawn back and neatly
interwoven, the whole effect suggesting stalactites in a cave. The air
is fragrant with the perfume from slices of apples, that are closely
threaded and hung up to dry in graceful festoons from rafter to rafter.
Five minutes later I am at work at the pond. The pond is an artificial
one, created by a wooden dam. The water has been allowed to flow out,
and the old woodwork is to be renewed.
My immediate task is to dig a ditch along the outer side of the rotting
planks, so that they can be removed and replaced by new ones. I am
soon alone on the job, for the farmers' work calls them elsewhere.
The experience in the sewer-ditch at Middletown is all to my credit,
and my spirits rise with the discovery that I can handle my pick and
shovel more effectively, and with less sense of exhaustion. And then
the stint is my own, and no boss stands guard over me as a dishonest
workman. At least I am conscious of none, and I am working on merrily,
when suddenly I become aware of my employer bending over the ditch and
watching me intently.
Public-domain text, read in full here on John Shaqi.
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