The Works of Alexander Pope, Volume 1: Poetry - Volume 1Pope, Alexander
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The Works of Alexander Pope, Volume 1: Poetry - Volume 1
Pope, Alexander
English poetry -- 18th century
It was not till he was in his grave
that his deception was divulged by the application of the printer to
Bolingbroke for instructions how to dispose of the impression. Warburton
argued that Pope must have wished his friend to have a knowledge of the
clandestine edition and clandestine alterations, or he would have
ordered the work to be destroyed during his final illness,[182] as if,
in the lingering hope that life would be protracted a little longer, it
had not happened times out of number that men had deferred burning
tale-telling papers till their minds were diverted from the duty by the
lassitude of sickness, and as if such procrastination was not in the
highest degree probable when the poet had been first at the pains of
revising the work, and next at the cost of an edition of 1500
copies.[183] He may even have believed that his secret, under any
circumstances, was safe with the printer. A theory which has been
verified by endless examples is a more credible alternative than to
assume that Pope had designed to leave behind him evidences of a
dishonesty which he had not dared to disclose during years of familiar
intercourse, and which, notwithstanding that Bolingbroke was perpetually
at his side, he did not venture to reveal in his dying hours when he
might have palliated his motives, and obtained pardon for his fault. But
if we admit the supposition of Warburton, and allow that he had
ultimately arrived at the resolution of suffering the course of events
to betray the misdoings he had not the courage to confess, there will
still remain the facts, which Warburton never questioned, that he
pretended to Bolingbroke that some half dozen copies had alone been
printed, when he had printed a distinct edition of 1500; that he handed
an impression to the author which was taken faithfully from the
manuscript, while the impression he hid from him was garbled and
adulterated; and that, having concealed the double treachery for years,
he left the world without an allusion to the wrongful act he had
committed. Johnson justly considered that the resentment of Bolingbroke
at this violation of faith was with reason "more acrimonious in
proportion as the violator had been more trusted or loved," for the
professions which win confidence increase the baseness of betraying it;
but with equal justice Johnson condemned the "thirst for vengeance"
which excited Bolingbroke "to blast the memory" of the man who had lived
with him in a constant interchange of affection, and who, both in public
and private, had paid him the tribute of his heartiest homage and
applause.[184]
Public-domain text, read in full here on John Shaqi.
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