The contempt with which she treated his exhortations drove him utterly mad, and it was then that he betook himself to reading all the literature he could find that bore upon the vices and frailties of women. The evidence of their general perversity with which his studies supplied him consoled him for the ungovernable disposition of his own wife, and he used "to laugh away full fast" over the record of their obstinacy and evil doings. He had the sweeter satisfaction of revenge. His mirth galled his imperious, froward wife, and when he read aloud the endless detail of female iniquities, backed up by the authority of great names, she could restrain her rage no longer, and the storm burst forth under which the wretched clerk succumbed.] [Footnote 30: Pope has omitted a stroke of humour; for in the original, she naturally mistakes the rank and age of St. Jerome. And eke there was a clerk sometime in Rome A _cardinal,_ that highten St. Jerome.--WARTON.] [Footnote 31: This passage acquaints us with the writers who were popular in the days of Chaucer.--WARTON. Warton takes no account of the fact that Chaucer was only enumerating the authors which furnished arguments against women. Valerius is a tract by Walter Mapes, which bears the title "Epistola Valerii ad Rufinum." St. Jerome's denunciations of matrimony are in his treatise "Contra Jovinianum." Tertullian wrote strongly against second marriages; and severe animadversions upon female vices or weaknesses have a large place in his works. "Who is meant by Chrysippus," says Tyrwhitt, "I cannot guess." Ovid's Art of Love, and the Letters of Eloisa and Abelard are known by name to all the world.] [Footnote 32: This line is not in Chaucer.] [Footnote 33: If Pope intended to follow the original, "good" means "good legends."] [Footnote 34: The wife of Bath, having laid down the maxim that it is impossible for any clerk to speak well of women, except it be of the saints, indignantly inquires, Who painted the lion, tell me, who? and with an oath she adds, If women hadde written stories, As clerkes have within their oratories, They would have writ of men more wickedness, Than all the mark of Adam may redress. "Than all the mark" is than all that bear the mark or image of Adam. Pope's version, in which the wife asks the question and tamely answers it, is flat in comparison with the scornful repetition of the emphatic "who?" Yet he has employed this reduplication of a predominant word at ver. 397, where it has much less effect. Judiciously used, there is force and beauty in the turn, as in the couplet from Addison's translation of Ovid: Her sisters often, as 'tis said, would cry Fie, Salmacis, what always idle, fie:]