The Works of Alexander Pope, Volume 1: Poetry - Volume 1Pope, Alexander
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The Works of Alexander Pope, Volume 1: Poetry - Volume 1
Pope, Alexander
English poetry -- 18th century
the anomaly is that, after the quarto in its original form had passed
through the press, Pope saw reason to cancel the opening part of the
volume which preceded Swift's correspondence with Gay. The materials in
their second form occupied more space than in their first, and instead
of filling only 88 pages in the quarto, and 84 in the folio, run on to
115 in the one, and 108 in the other. The consequence is that the pages
in excess bear the same numbers with the succeeding uncancelled pages
which could not be altered. The process is rendered further apparent by
the signatures to the sheets. In both folio and quarto, those on the
surplus pages, in the cancelled division of the volume, have an asterisk
affixed to denote that the signatures had been already employed;[151]
but though the sheets have this mark of repetition, they are placed in
the volume before the uncancelled sheets which retain the primitive
signatures, and which did not admit of any change. In the quarto, again,
a half sheet precedes the letters to Gay, which could not have happened
unless it had been a subsequent interpolation, when the matter was
insufficient to make the sheet complete. The half-sheet, the duplicate
paging, and the duplicate signatures, are all the result of the
insertion of fresh materials after the work was struck off, and betray
that there was an earlier form of the quarto of 1741, which contained
less than the Dublin edition, and which, therefore, being prior to it,
is a proof that the correspondence was originally printed by Pope. The
letters in the quarto are numbered, and since the series is unbroken
throughout, the original cancelled division must ostensibly have
comprised as many letters as when it was subsequently enlarged. But a
letter to Gay, dated Nov. 23, 1727, is found by the copies preserved in
the Oxford papers, to be compounded of three distinct letters, and this
system of fusion would have permitted the introduction of large
additions without deranging the continuity Of the numbers, which Pope
would have been anxious to preserve. The cancels he made to suit his
varying views were in accordance with his practice. The miscellaneous
prose works, which follow the letters, have in one place alone a cancel
of upwards of a hundred pages. Equally characteristic was the desire to
preserve any of the old sheets which could be retained, regardless of
the blemish to the book, and the trace they might afford of his
manoeuvres. It was a repetition of the paper-sparing policy which led
him to incorporate the suppressed sheets of his Wycherley into the
volume of 1735.[152]
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