The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2Pope, Alexander
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The Works of Alexander Pope, Volume 2 (of 10): Poetry - Volume 2
Pope, Alexander
English poetry -- 18th century
both should have courted a disgraceful notoriety. The correspondence was
coined in one mint; the impress it bears is male, and not female; and we
may apply to Heloisa the words of Rosalind,--
I say she never did invent these letters,
This is a man's invention, and his hand.[570]
No portion of them, if they are genuine, can do honour to her memory.
The coarse particulars she divulged to the public would prove that she
was debased, and any sentiments which might have been creditable in an
artless effusion addressed to Abelard lose their value when they are a
studied rhetorical manifesto, got up to produce an impression on the
world.
According to the _Historia Calamitatum_ Abelard was the eldest son of a
soldier in Brittany. His father, who had a tincture of learning, imbued
him with a passion for study. He renounced the weapons of war for those
of logic, resigned his paternal inheritance to his brothers, and
traversed the kingdom that he might engage in scholastic tournaments at
the towns on his road. He arrived at Paris about the year 1100, when he
was twenty-one. There he frequented the lectures of William of
Champeaux, the most famous dialectician of the day. Soon the pupil
questioned the doctrines of his master, and was often victorious in
their public disputations. He established a rival school, and the credit
of all other teachers was lost in his renown. William of Champeaux,
devoured with envy, struggled for years to drive his antagonist from the
field. The invincible Abelard never failed to defeat him, and finally
reigned without a competitor.
Public-domain text, read in full here on John Shaqi.
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