Johnson has told Pope's motive for publishing the Essay anonymously, and the manœuvres he practised to secure commendation. He had previously, when speaking to Swift of the Essay, professed his usual indifference to praise. "I agree with you," he said, Dec. 1, 1731, "in my contempt of most popularity, fame, &c. Even as a writer I am cool in it, and whenever you see what I am now writing, you will be convinced I would please but a few, and, if I could, make mankind less admirers and greater reasoners." After the little plot had been played out, he still kept up the false pretence in a letter to Duncombe, Oct. 20, 1734. "Truly, I had not the least thought of stealing applause by suppressing my name to that Essay. I wanted only to hear truth, and was more afraid of my partial friends than enemies."[747] He lifted up the mask with Swift, and avowed that his object was to get his philosophy approved. "The design of concealing myself was good," he said, Sept. 15, 1734, "and had its full effect; I was thought a divine, a philosopher, and what not, and my doctrine had a sanction I could not have given to it." He knew that friend and foe were aware that philosophy and divinity were not his strength, and he wished to obtain a fictitious authority for his work. He said to Caryll, March 8, 1733, "It is attributed, I think with reason, to a divine," and the poet had probably circulated the report he affected to believe. "I perceive the divines have no objection to it," he wrote again on March 20, "though now it is agreed not to be written by one,--Dr. Croxall, Dr. Secker, and some others having solemnly denied it." The first reports decided the popular judgment. The orthodoxy of the poem was taken upon trust, and when Pope owned the work in 1734, no one cared to commence a fresh inquisition. An infidel who hated divines and divinity with all his heart, had dictated the doctrines of the Essay on Man. "He mentioned then, and at several other times," says Spence, in his record of Pope's conversation during the years 1734-36, "how much, or rather how wholly he was obliged to Lord Bolingbroke for the thoughts and reasonings in his moral work; and once in particular said, that beside their frequent talking over that subject together, he had received, I think, seven or eight sheets from Lord Bolingbroke in relation to it (as I apprehended by way of letters), both to direct the plan in general, and to supply the matter for the particular epistles."[748] Pope frankly informed the world, in the Essay itself, that he echoed the lessons of Bolingbroke, who was his "guide and philosopher,"--the "master of the poet and the song." The prose sketch of the "master" was seen by Lord Bathurst at the time, and he testified to Warton and Blair from personal knowledge, that Pope versified the arguments set down for him by Bolingbroke.