right."[939] The remark is but a slight exaggeration of the truth. The logic of assertion, and often of vituperative assertion, in which Pope abounded, is available for every system, and his admission that God is the instigator of evil was a fit foundation for a pessimist philosophy. De Quincey's opinion is the most unfavourable of all. "If the question," he says, "were asked, What ought to have been the best among Pope's poems? most people would answer, the Essay on Man. If the question were asked, What is the worst? all people of judgment would say, the Essay on Man. Whilst yet in its rudiments this poem claimed the first place by the promise of its subject; when finished, by the utter failure of its execution, it fell into the last."[940] "Execution" is used by De Quincey in its widest sense, and includes the philosophy of the Essay. This we have endeavoured to estimate, and have now to speak of the poetry. "In my mind," says Lord Byron, writing of Pope, "the highest of all poetry is ethical poetry, as the highest of all earthly objects must be moral truth," and he adds that "ethical or didactic poetry requires more mind, more wisdom, more power" than all the "descriptions" of natural scenery that were ever penned, "and all the epics that ever were founded upon fields of battle."[941] To the assertion that ethical poets transcended all other poets in genius, Hazlitt answered, that the "mind, wisdom, and power" is displayed in the "philosophic invention," and as this "rests with the first author of a moral truth," or moral theory, a copyist is not great because he gives a metrical form to an ethical common-place. "The decalogue," he says, "as a practical prose composition, or as a body of moral laws and precepts, is of sufficient weight and authority, but we should not regard the putting of this into heroic verse as an effort of the highest poetry."[942] To the assertion that ethical poetry must take precedence of all other poetry, "because moral truth and moral conduct are of such vast and paramount concernment in human life," Hazlitt answered, that "it did not follow that they were the better for being put into rhyme." "This reasoning," he continues, "reminds us of the critic who said that the only poetry he knew of, good for anything, was the four lines beginning 'Thirty days hath September,' for that these were really of some use in finding out the number of days in the different months of the year. The rules of arithmetic are important in many respects, but we do not know that they are the fittest subjects of poetry."[943] The reply of Hazlitt is conclusive. Lord Byron had confounded the importance of facts with their fitness for poetry, the repetition of a truth with the genius which discovers it. He was "in a great passion," says De Quincey, "and wrote up Pope by way of writing down others," the others being Wordsworth, Southey, and Coleridge.[944] He had taken a false measure of his men. They were too strong in their