p. 94, l. 12 _your Friends_. 4tos misprint ‘your Friend’. p. 95, l. 23 _upon my Name_. 1724 ‘upon thy Name’. p. 96, l. 12 _that charming Maid_. 1724 ‘the charming Maid’. p. 96, l. 12 _Whom I’d enjoy’d e’er now_. 4tos ‘whom I’de enjoy e’re now’. p. 97, l. 6 _preserve_. 4tos and 1724 here insert the stage direction ’.Kneels.’ But this is repeated at the line (11) ‘Thus low I take the Bounty from your Hands’ and is far more appropriate at the latter juncture. There can be no doubt that the stage direction ‘[Kneels’ should also be inserted at line 19--’Thus low I fall’--and it has been misplaced by the printer in the old copies. I have restored it. p. 97, l. 18 _only me unhappy, when, Sir, my Crime Was only too much faith?_ 4tos punctuate: ‘only me unhappy? When, Sir, my Crime Was only too much Faith;’ p. 97. l. 29 _Seas again_. At the conclusion 1677 prints ‘The End of the Play.’ p. 98, l. 18 _Sex’s_. 4tos ‘Sexes’. p. 105 _To Philaster_. This Epistle Dedicatory only appears in the 4tos 1683, 1696. p. 108 _Dramatis Personae_. I have added ‘_Geron_ the old Tutor to Orsames; _Gorel_, a Citizen; Keeper of the Castle; A Druid; Courtiers (men and women); Officers: Guards; Huntsmen; Assassins’. 4to 1698 misprints ‘Ismenis’ for ‘Ismenes’. ‘Thursander’ for ‘Thersander’. ‘the Court of Daca’ for ‘the Court of Dacia’. 1724 gives ‘a Rabble of the Mobile’. 4tos ‘all a Rabble of the Mobile’. p. 109, l. 4 _never the Luck_. 4tos ‘never the ill Luck’. p. 109, l. 15 _what’s thy Business_. 1724 ‘what’s the Business’. p. 109, l. 28 _I spake_. 4tos ‘I speak’. p. 110, l. 23 _conspire against him_. 4tos ‘’.ainst him’. But the metre requires 1724 ‘against’. p. 111, l. 6 _him here_. 4to 1696 misprints ‘here him’. p. 111, l. 14 _Virago he Daughter_. 1724 ‘Virago her Daughter’, which is excellent sense but lacks the point of ‘he Daughter’. p. 112, l. 22 _Ly. You sigh_. 4tos and 1724 print as prose. I have arranged metrically. p. 113, l. 16 _one of gentle Birth_. 4tos ‘of the gentle Birth’. 1724 ‘of genteel Birth’. p. 114, l. 11 _Pim. Pox on her_. 4tos divide Pimante’s speech at ‘let her go.’ and commence a new line with ‘Well, Colonel,’ as if metrically. I have followed 1724 as it is obviously prose. p. 114, l. 25 _Sem. That’s strange!_ 4tos wrongly print this speech as prose. p. 115, l. 34 _Artabazes_. 4tos ‘Artabaces’. p. 116, l. 3 _mistaken thing?_ 4tos punctuate ‘mistaken thing;’. p. 116, l. 6 _fantastick_. 1724 wrongly ‘fanatick’. p. 116, l. 24 _cruel Cause_. 4to 1696 misprints ‘crul Cause’. p. 117, l. 9 [_Sem. looks about, finds the Cap and Feathers. _Sem_. See, Madam, what I’ve found. 4tos and 1724 give the stage direction after the speech. I have transposed these, as obviously such an arrangement is better. p. 118, l. 20 _Ideas_. 4tos wrongly ‘Idea’s’. p. 118, 1.29 _He rises_. 4tos and 1724 ‘[Rises.’ But it is Thersander who is kneeling, not Cleomena. The insertion of ‘He’ saves any confusion.