The ‘dull Whiggish Poet’ alluded to is Elkanah Settle, with whom at the
beginning of her theatrical career Lady Slingsby was on terms of
considerable intimacy. Scandal further accused her of an intrigue with
Sir Gilbert Gerrard, which is referred to when the knight was attacked in
_A Satyr on Both Whigs and Tories_, (1683, unprinted MS.)
Thou Thing made up of Buttons, Coach, and Show,
The Beasts that draw thee have more sense than thou.
Yet still thou mightst have fool’d behind the Scenes,
Have Comb’d thy Wig and set thy Cravat Strings,
Made love to Slingsby when she played the Queen,
The Coxcomb in the Crowd had passed unseen.
p. 9 _Song_. Poets and critics have been unanimous in their praise of
this exquisite lyric, which, had she written nothing more, would alone
have been amply sufficient to vindicate Aphara Behn’s genius and
immortality. It was a great favourite with Swinburne, who terms it ‘that
melodious and magnificent song’. Mr. Bullen is warm in its praise, whilst
Professor Saintsbury justly acknowledges it to be ‘of quite bewildering
beauty’.
p. 70 _Stout Sceva_. The centurion M. (Valerius Max. iii. ii. 23.)
Cassius Scaeva at the battle of Dyrrachium, B.C. 48, showed heroic valour
and maintained his post although he had lost an eye, was deeply wounded
in shoulder and thigh, and his shield was pierced in 120 places. He
survived, however, and lived until after Cassar’s assassination, v.
_Casar B.G_. iii 53. _Suet. Caes_, 68. _Flor_. iv. 2. 40. _Appian_, B.C.
ii. 60. He appears as a character in Fletcher’s _The False One_.
Public-domain text, read in full here on John Shaqi.
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