Nature be Wits and _Beaus_; then scatter it for Authentick all over the
Town and Court, poysoning of others Judgments with their false Notions,
condemning it to worse than Death, Loss of Fame. And to fortifie their
Detraction, charge me with all the Plays that have ever been offensive;
though I wish with all their Faults I had been the Author of some of
those they have honour’d me with. For the farther Justification of this
Play; it being a Comedy of Intrigue Dr. _Davenant_ out of Respect to the
Commands he had from Court, to take great Care that no Indecency should
be in Plays, sent for it and nicely look’t it over, putting out anything
he but imagin’d the Criticks would play with. After that, Sir Roger
_L’Estrange_ read it and licens’d it, and found no such Faults as ‘tis
charg’d with: Then Mr. _Killigrew_, who more severe than any, from the
strict Order he had, perus’d it with great Circumspection; and lastly
the Master Players, who you will I hope in some Measure esteem Judges of
Decency and their own Interest, having been so many Years Prentice to
the Trade of Judging.
I say, after all these Supervisors the Ladys may be convinc’d, they left
nothing that could offend, and the Men of their unjust Reflections on so
many Judges of Wit and Decencys. When it happens that I challenge any
one, to point me out the least Expression of what some have made their
Discourse, they cry, _That Mr_. Leigh _opens his Night Gown, when he
comes into the Bride-chamber_; if he do, which is a Jest of his own
making, and which I never saw, I hope he has his Cloaths on underneath?
And if so, where is the Indecency? I have seen in that admirable Play of
_Oedipus_, the Gown open’d wide, and the Man shown, in his Drawers and
Waist coat, and never thought it an Offence before. Another crys, _Why
we know not what they mean, when the Man takes a Woman off the Stage,
and another is thereby cuckolded_; is that any more than you see in the
most Celebrated of your Plays? as the _City Politicks_, the _Lady
Mayoress_, and the _Old Lawyers Wife_, who goes with a Man she never saw
before, and comes out again the joyfull’st Woman alive, for having made
her Husband a Cuckold with such Dexterity, and yet I see nothing
unnatural nor obscene: ‘tis proper for the Characters. So in that lucky
Play of the _London Cuckolds_, not to recite Particulars. And in that
good Comedy of _Sir Courtly Nice_, the _Taylor to the young Lady_--in
the fam’d Sir _Fopling Dorimont and Bellinda_, see the very Words--in
_Valentinian_, see the Scene between the _Court Bawds_. And
_Valentinian_ all loose and ruffld a Moment after the Rape, and all this
you see without Scandal, and a thousand others The _Moor of Venice_ in
many places. The _Maids Tragedy_--see the Scene of undressing the Bride,
and between the _King_ and _Amintor_, and after between the _King_ and
_Evadne_--All these I Name as some of the best Plays I know; If I
should repeat the Words exprest in these Scenes I mention, I might
Public-domain text, read in full here on John Shaqi.
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