_Bel_. Why, the City’s up in Arms, Sir, and all the Aldermen are met at
_Guild-Hall_; some damnable Plot, Sir.
Sir _Feeb_. Hah--Plot--the Aldermen met at _Guild-Hall!_--hum--why, let
’.m meet, I’ll not lose this Night to save the Nation.
_Let_. Wou’d you to bed, Sir, when the weighty Affairs of State require
your Presence?
Sir _Feeb_.--Hum--met at _Guild-Hall_;--my Clothes, my Gown again,
_Francis_, I’ll out--out! what, upon my Wedding-night? No--I’ll in.
[_Putting on his Gown pausing, pulls it off again_.
_Let_. For shame, Sir, shall the Reverend Council of the City debate
without you?
Sir _Feeb_. Ay, that’s true, that’s true; come truss again, _Francis_,
truss again--yet now I think on’t, _Francis_, prithee run thee to the
Hall, and tell ‘em ‘tis my Wedding-night, d’ye see, _Francis_; and let
some body give my Voice for--
_Bel_. What, Sir?
Sir _Feeb_. Adod, I cannot tell; up in Arms, say you! why, let ‘em fight
Dog, fight Bear; mun, I’ll to Bed--go--
_Let_. And shall his Majesty’s Service and his Safety lie unregarded for
a slight Woman, Sir?
Sir _Feeb_. Hum, his Majesty!--come, haste, _Francis_, I’ll away, and
call _Ralph_, and the Footmen, and bid ‘em arm; each Man shoulder his
Musket, and advance his Pike--and bring my Artillery Implements
quick--and let’s away: Pupsey--b’u’., Pupsey, I’ll bring it a fine thing
yet before Morning, it may be--let’s away: I shall grow fond, and forget
the business of the Nation--Come, follow me, _Francis_.--
[_Exit Sir_ Feeble, Bellmour _runs to_ Leticia.
_Bel_. Now, my _Leticia_, if thou e’er didst Love, If ever thou
design’st to make me blest--Without delay fly this adulterous Bed.
Sir _Feeb_. Why, _Francis_, where are you, Knave?
[_Sir _Feeb_. within_.
_Bel_. I must be gone, lest he suspect us--I’ll lose him, and return to
thee immediately--get thy self ready.--
_Let_. I will not fail, my Love.
[_Exit_ Bellmour.
_Old Man forgive me--thou the Aggressor art,
Who rudely forc’d the Hand without the Heart.
She cannot from the Paths of Honour rove,
Whose Guide’s Religion, and whose End is Love_.
[_Exit_.
SCENE III. _Changes to a Wash-house, or Out-House_.
_Enter with a Dark-lanthorn_ Bredwel _disguis’d like a Devil,
leading_ Gayman.
_Bred_. Stay here till I give notice of your coming.
[_Exit_ Bredwel, _leaves his Dark-Lanthorn_.
_Gay_. Kind Light, a little of your aid--now must I be peeping, though
my Curiosity should lose me all--hah--Zouns, what here--a Hovel or a
Hog-sty? hum, see the Wickedness of Man, that I should find no time to
swear in, but just when I’m in the Devil’s Clutches.
_Enter_ Pert, _as an old Woman, with a Staff_.
_Old W_. Good Even to you, fair Sir.
_Gay_. Ha--defend me; if this be she, I must rival the Devil, that’s
certain.
Public-domain text, read in full here on John Shaqi.
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