p. 20, l. 6 _Murder_. 4to 1677 has here the marginal stage direction
’.A Letter’, to remind the prompter to have that property ready for
the immediate entry of Friendlove.
p. 22, l. 4 _Exit Sir Tim_. 4to 1677 has ‘Ex.’ after ‘Celinda.’ 1724
’.xit’ after ‘Southampton House.’
p. 22, l. 6 _Exeunt_. I have supplied this stage direction. 4to 1677 has
’.he End of the First Act.’
p. 22, l. 8 _A Palace_. I have left this quaint locale untouched
although the scene is merely an antechamber in Friendlove’s house,
and can have been no more than a drop cloth.
p. 22, l. 27 _Scene II_. This Scene is not numbered in the previous
editions but considered as Scene I with the former.
p. 24, l. 10 _To-morrow_. 1724 as prose. I follow metrical arrangement
of 4to.
p. 26, l. 12 _impose_. 4to 1677 ‘imposes’.
P. 27, l. 15 _Scene III. Sir Timothy’s House_. I have supplied the
locale. In all former editions Scenes I and II being counted as one
this is numbered Scene II.
p. 27, l. 16 _and Boy_. I have added the entrance of the Boy.
p. 28, l. 12 _that I am_. 4to 1677 omits ‘that’.
p. 28, l. 28 _--and where--and where_. 1724 reads ‘--and where--’ once.
p. 29, l. 25 _Fortunes_. 1724 ‘Fortune’.
p. 30, l. 32 _Exeunt_. 4to 1677 ‘Ex.’ 1724 ‘Exit.’
p. 30, l. 33 _Scene IV. Lord Plotwell’s House_. I have added the locale.
The former editions, regarding Scenes I and II of this act as one, read
’.cene III.’
p. 34, l. 21 _nor one_. 1677 ‘nor none’.
p. 37, l. 14 _Scene V_. ‘Scene IV’ in former editions.
p. 39, l. 34 _Exeunt_. Not in former editions. 4to 1677 has ‘The End of
the Second Act.’
p. 40, l. 2 _A Room in Lord Plotwell’s House_. All former editions mark
the locale as ‘The Street.’ But this is obviously wrong from the
sitting, dancing and whole business of the scene.
p. 41, l. 6 _Griefs_. 1724 ‘Grief.’
p. 41, l. 9 _something of disorder_. 4to 1677 ‘something in disorder’.
p. 41, l. 24 _bear_. 4to 1677 ‘bare’.
p. 42, l. 19 _Life left_. 1724 omits ‘left’.
p. 43, l. 4 _plunged in Blood_. 1724 ‘plung’d in, in Blood.’
p. 43, l. 5 _A Jigg_. Not in 1724.
p. 43, l. 19 _with all your Faults_. 4to 1677 omits ‘your’.
p. 45, l. 4 _of it_. 4to 1677 ‘on’t’.
p. 47, l. 7 _Exeunt_. All former editions ‘Exit.’
p. 47, l. 8 _Scene II_. No former editions number this scene, but read
’.nter Diana, Scene a Bedchamber.’
p. 47, l. 33 _unto_. 4to 1677 ‘to’.
p. 49, l. 25 _Love_. 1724 ‘Life’.
p. 50, l. 23 _Exit_. Not marked in former editions.
p. 50, l. 24 _Scene III. A Street_. No former editions number this scene.
p. 51, l. 1 _Which_. 4to 1677 ‘Who’.
p. 54, l. 34 _Exeunt_. Not in 1724. 4to 1677 adds ‘The End of the Third
Act.’
p. 55, l. 2 _Celinda’s Chamber_. The locale is unmarked in all former
editions,
p. 57, l. 15 _the longed for_. 4to 1677 misprints ‘she long’d for’.
p. 59, l. 8 _Blessings_. 1724 ‘Blessing’.
p. 59, l. 10 _Who ere_. 1724 ‘When e’er’.
p. 61, l. 11 _and who_. 1724 ‘and she who’.
Public-domain text, read in full here on John Shaqi.
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