p. 75 _Varrio_. Antonio Verrio, the celebrated Neapolitan painter,
was born at Lecce, in the Terra di Otranto, about 1639. His earliest
pictures were done for ecclesiastics--the Jesuits College, Naples, the
high altar in the Carmelite Church, Toulouse. His facility of execution
and rich colouring gained him fame, and Charles II appointed him to
direct the royal tapestry works at Mortlake. Soon, however, Verrio was
transferred to Windsor to paint the walls and ceilings. Under Charles
II and his successor Verrio was in high favour. At the Revolution he
threw up his office of surveyor of the royal gardens (a sinecure) and
refused to employ his pencil for William of Orange. He had, however,
many commissions from nobles and private persons. His sight failing,
Queen Anne bestowed on him a pension of £200 a year. He died 1707. A
list of Verrio’s ceilings will be found in Jesse’s _Eton and Windsor_.
Pope, _Windsor Forest_, has a couplet (307-8):--
from her roofs when Verrio’s colours fall,
And leave inaminate the naked wall.
p. 75 _Gibbon_. Grinling Gibbons, the celebrated sculptor in wood, was
born at Rotterdam, 4 April, 1648. He came to London in 1667. He was
first brought into notice by Evelyn, who introduced him to the King.
Charles II gave Gibbons a place in the board of works. Besides being
employed at Windsor, Gibbons decorated other of the royal palaces in
marble sculpture as well as wood. His exquisite carvings are to be
found in many noble houses. They are unrivalled for their presentment
of foliage, fruit, flowers; of a marvellous delicacy and beauty. In
1714 he was appointed master carver to George I. He died at his house
in Bow Street, 3 August, 1721.
Public-domain text, read in full here on John Shaqi.
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