I once sat in the Pit of Drury-lane Theatre next to a blind man, who, I afterwards learned, was a street musician, well known about London. The play was _Richard the Third_, and it was curious to observe the interest which he took in every successive scene, so far more lively than could be perceived in any of the company around him. At those pathetic interviews between the _Queen_ and _Duchess of York_, after the murder of the children, his eyes (or rather the places where eyes should have been) gushed out tears in torrents, and he sat intranced in attention, while every one about him was tittering, partly at him, and partly at the grotesque figures and wretched action of the women, who had been selected by managerial taste to personate those royal mourners. Having no drawback of sight to impair his sensibilities, he simply attended to the scene, and received its unsophisticated impression. _So much the rather her celestial light shone inward._ I was pleased with an observation which he made, when I asked him how he liked Kemble, who played _Richard_. I should have thought (said he) that that man had been reading something out of a book, if I had not known that I was in a play-house. I was once amused in a different way by a knot of country people who had come to see a play at that same Theatre. They seemed perfectly inattentive to all the best performers for the first act or two, though the piece was admirably played, but kept poring in the play-bill, and were evidently watching for the appearance of one, who was to be the source of supreme delight to them that night. At length the expected actor arrived, who happened to be in possession of a very insignificant part, not much above a mule [? mute]. I saw their faint attempt at raising a clap on his appearance, and their disappointment at not being seconded by the audience in general. I saw them try to admire and to find out something very wonderful in him, and wondering all the while at the moderate sensation he produced. I saw their pleasure and their interest subside at last into flat mortification, when the riddle was at once unfolded by my recollecting that this performer bore the same name with an actor, then in the acme of his celebrity, at Covent-Garden, but who lately finished his theatrical and mortal career on the other side the Atlantic. They had come to see Mr. C----, but had come to the wrong house.