The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
--There live who yet remember to have seen
Their courtly Figures,--seated on a stump
Of an old Yew, their favourite resting-place.
But, as the Remnant of the long-lived Tree
Was disappearing by a swift decay,
They, with joint care, determined to erect,
Upon its site, a Dial, which should stand
For public use; and also might survive
As their own private monument; for this
Was the particular spot, in which they wished
(And Heaven was pleased to accomplish their desire)
That, undivided their Remains should lie.
So, where the mouldered Tree had stood, was raised
Yon Structure, framing, with the ascent of steps
That to the decorated Pillar lead,
A work of art, more sumptuous, as might seem,
Than suits this Place; yet built in no proud scorn
Of rustic homeliness; they only aimed
To ensure for it respectful guardianship.
Around the margin of the Plate, whereon
The Shadow falls, to note the stealthy hours,
Winds an inscriptive Legend,----At these words
Thither we turned; and gathered, as we read,
The appropriate sense, in Latin numbers couched.
"Time flies; it is his melancholy task
To bring, and bear away, delusive hopes,
And re-produce the troubles he destroys.
But, while his blindness thus is occupied.
Discerning Mortal! do thou serve the will
Of Time's eternal Master, and that peace,
Which the World wants, shall be for Thee confirmed."--pp. 270-3.
The causes which have prevented the poetry of Mr. Wordsworth from
attaining its full share of popularity are to be found in the boldness
and originality of his genius. The times are past when a poet could
securely follow the direction of his own mind into whatever tracts it
might lead. A writer, who would be popular, must timidly coast the shore
of prescribed sentiment and sympathy. He must have just as much more of
the imaginative faculty than his readers, as will serve to keep their
apprehensions from stagnating, but not so much as to alarm their
jealousy. He must not think or feel too deeply.
If he has had the fortune to be bred in the midst of the most
magnificent objects of creation, he must not have given away his heart
to them; or if he have, he must conceal his love, or not carry his
expressions of it beyond that point of rapture, which the occasional
tourist thinks it not overstepping decorum to betray, or the limit which
that gentlemanly spy upon Nature, the picturesque traveller, has
vouchsafed to countenance. He must do this, or be content to be thought
an enthusiast.
Public-domain text, read in full here on John Shaqi.
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