The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
One objection it is impossible not to foresee. It will be asked, why put
such eloquent discourse in the mouth of a pedlar? It might be answered
that Mr. Wordsworth's plan required a character in humble life to be the
organ of his philosophy. It was in harmony with the system and scenery
of his poem. We read Piers Plowman's Creed, and the lowness of the
teacher seems to add a simple dignity to the doctrine. Besides, the poet
has bestowed an unusual share of education upon him. Is it too much to
suppose that the author, at some early period of his life, may himself
have known such a person, a man endowed with sentiments above his
situation, another Burns; and that the dignified strains which he has
attributed to the Wanderer may be no more than recollections of his
conversation, heightened only by the amplification natural to poetry, or
the lustre which imagination flings back upon the objects and companions
of our youth? After all, if there should be found readers willing to
admire the poem, who yet feel scandalized at a _name_, we would advise
them, wherever it occurs, to substitute silently the word _Palmer_, or
_Pilgrim_, or any less offensive designation, which shall connect the
notion of sobriety in heart and manners with the experience and
privileges which a wayfaring life confers.
ON THE MELANCHOLY OF TAILORS
(1814. TEXT OF 1818)
Sedet, æternumque sedebit,
Infelix Theseus. VIRGIL.
That there is a professional melancholy, if I may so express myself,
incident to the occupation of a tailor, is a fact which I think very few
will venture to dispute. I may safely appeal to my readers, whether they
ever knew one of that faculty that was not of a temperament, to say the
least, far removed from mercurial or jovial.
Observe the suspicious gravity of their gait. The peacock is not more
tender, from a consciousness of his peculiar infirmity, than a gentleman
of this profession is of being known by the same infallible testimonies
of his occupation. "Walk, that I may know thee."
Do you ever see him go whistling along the foot-path like a carman, or
brush through a crowd like a baker, or go smiling to himself like a
lover? Is he forward to thrust into mobs, or to make one at the
ballad-singer's audiences? Does he not rather slink by assemblies and
meetings of the people, as one that wisely declines popular observation?
How extremely rare is a noisy tailor! a mirthful and obstreperous
tailor!
Public-domain text, read in full here on John Shaqi.
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