The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
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The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
Are they often great newsmongers?--I have known some few among them
arrive at the dignity of speculative politicians; but that light and
cheerful every-day interest in the affairs and goings-on of the world,
which makes the barber[33] such delightful company, I think is rarely
observable in them.
[33] Having incidentally mentioned the barber, in a comparison of
professional temperaments, I hope no other trade will take offence,
or look upon it as an incivility done to them, if I say, that in
courtesy, humanity, and all the conversational and social graces
which "gladden life," I esteem no profession comparable to his.
Indeed so great is the goodwill which I bear to this useful and
agreeable body of men, that, residing in one of the Inns of Court
(where the best specimens of them are to be found, except perhaps at
the universities) there are seven of them to whom I am personally
known, and who never pass me without the compliment of the hat on
either side. My truly polite and urbane friend, Mr. A----m, of
Flower-de-luce-court, in Fleet-street, will forgive my mention of
him in particular. I can truly say, that I never spent a quarter of
an hour under his hands without deriving some profit from the
agreeable discussions, which are always going on there.
This characteristic pensiveness in them being so notorious, I wonder
none of those writers, who have expressly treated of melancholy, should
have mentioned it. Burton, whose book is an excellent abstract of all
the authors in that kind who preceded him, and who treats of every
species of this malady, from the _hypochondriacal_ or _windy_ to the
_heroical_ or _love melancholy_, has strangely omitted it. Shakspeare
himself has overlooked it. "I have neither the scholar's melancholy
(saith Jaques) which is emulation; nor the courtier's, which is proud;
nor the soldier's, which is politick; nor the lover's, which is all
these:"--and then, when you might expect him to have brought in, "nor
the tailor's, which is so and so"--he comes to an end of his
enumeration, and falls to a defining of his own melancholy.
Milton likewise has omitted it, where he had so fair an opportunity of
bringing it in, in his _Penseroso_.
But the partial omissions of historians proving nothing against the
existence of any well-attested fact, I shall proceed and endeavour to
ascertain the causes why this pensive turn should be so predominant in
people of this profession above all others.
Public-domain text, read in full here on John Shaqi.
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