The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
IV.--ISAAC BICKERSTAFF'S "HYPOCRITE"
(1819)
By one of those strange perversities which actuate poor mortals in the
place of motives (to persuade us into the notion that we are free
agents, we presume), we had never till the other evening seen DOWTON in
_Doctor Cantwell_. By a pious fraud of Mr. ARNOLD'S, who, by a process
as simple as some of those by which MATHEWS metamorphoses his person,
has converted the play into an opera,--a conversion, by the way, for
which we are highly indebted to him,--we have been favoured with this
rich novelty at our favourite theatre. It seems a little unreasonable to
come lagging in with a posthumous testimony to the merits of a
performance of which the town has long rung, but we cannot help
remarking in Mr. DOWTON'S acting, the subtil _gradations_ of the
hypocrisy; the length to which it runs in proportion as the recipient is
capable of taking it in; the gross palpable way in which he adminsters
the dose in wholesale to old _Lady Lambert_, that rich fanatic; the
somewhat more guarded manner in which he retails it out, only so much at
a time as he can bear, to the somewhat less bitten fool her son; and the
almost absence of it, before the younger members of the family, when
nobody else is by: how the cloven foot peeps out a little and a little
more, till the diabolical nature is stung out at last into full
manifestation of its horrid self. What a grand insolence in the tone
which he assumes, when he commands _Sir John_ to quit _his_ house! and
then the tortures and agonies when he is finally baffled! It is in these
last perhaps that he is greatest, and we should be doing injustice not
to compare this part of the performance with, and in some respects to
give it the preference above, the acting of Mr. KEAN in a situation
nearly analogous, at the conclusion of the _City Madam_. _Cantwell_
reveals his pangs with quite as much force, and without the assistance
of those contortions which transform the detected _Luke_ into the
similitude of a mad tiger, or a foaming demon. DOWTON plays it neither
like beast nor demon, but simply as it should be, a bold bad man pushed
to extremity. Humanity is never once overstepped. Has it ever been
noticed, the exquisite modulation with which he drawls out the word
CHARLES, when he calls his secretary, so humble, so seraphic, so
resigned. The most diabolical of her sex that we ever knew accented all
her honey devil words in just such a hymn-like smoothness. The spirit of
WHITFIELD seems hovering in the air, to suck in the blessed tones, so
much like his own upon earth: Lady HUNTINGDON claps her neat white
wings, and gives it out again in heaven to the sainted ones, in
approbation.
Public-domain text, read in full here on John Shaqi.
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