The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
One reason why the ludicrous never fails to intrude itself into our
contemplations upon this mode of death, I suppose to be, the absurd
posture into which a man is thrown who is condemned to dance, as the
vulgar delight to express it, upon nothing. To see him whisking and
wavering in the air,
As the wind you know will wave a man;[6]
[6] Hieronimo in the Spanish tragedy.
to behold the vacant carcase, from which the life is newly dislodged,
shifting between earth and heaven, the sport of every gust; like a
weather-cock, serving to shew from which point the wind blows; like a
maukin, fit only to scare away birds; like a nest left to swing upon a
bough when the bird is flown: these are uses to which we cannot without
a mixture of spleen and contempt behold the human carcase reduced. We
string up dogs, foxes, bats, moles, weasels. Man surely deserves a
steadier death.
Another reason why the ludicrous associates more forcibly with this than
with any other mode of punishment, I cannot help thinking to be, the
senseless costume with which old prescription has thought fit to clothe
the exit of malefactors in this country. Let a man do what he will to
abstract from his imagination all idea of the whimsical, something of it
will come across him when he contemplates the figure of a
fellow-creature in the day-time (in however distressing a situation) in
a night cap. Whether it be that this nocturnal addition has something
discordant with day-light, or that it is the dress which we are seen in
at those times when we are "seen," as the Angel in Milton expresses it,
"least wise;" this I am afraid will always be the case; unless indeed,
as in my instance, some strong personal feeling overpower the ludicrous
altogether. To me, when I reflect upon the train of misfortunes which
have pursued me through life, owing to that accursed drapery, the cap
presents as purely frightful an object as the sleeveless yellow coat and
devil-painted mitre of the San Benitos.--An ancestor of mine, who
suffered for his loyalty in the time of the civil wars, was so sensible
of the truth of what I am here advancing, that on the morning of
execution, no intreaties could prevail upon him to submit to the odious
dishabille, as he called it, but he insisted upon wearing, and actually
suffered in, the identical flowing periwig which he is painted in, in
the gallery belonging to my uncle's seat in ----shire.
Public-domain text, read in full here on John Shaqi.
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