The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
In the perusal of a book, or of a picture, much of the impression which
we receive depends upon the habit of mind which we bring with us to such
perusal. The same circumstance may make one person laugh, which shall
render another very serious; or in the same person the first impression
may be corrected by after-thought. The misemployed incongruous
characters at the _Harlot's Funeral_, on a superficial inspection,
provoke to laughter; but when we have sacrificed the first emotion to
levity, a very different frame of mind succeeds, or the painter has lost
half his purpose. I never look at that wonderful assemblage of depraved
beings, who, without a grain of reverence or pity in their perverted
minds, are performing the sacred exteriors of duty to the relics of
their departed partner in folly, but I am as much moved to sympathy from
the very want of it in them, as I should be by the finest representation
of a virtuous death-bed surrounded by real mourners, pious children,
weeping friends,--perhaps more by the very contrast. What reflexions
does it not awake, of the dreadful heartless state in which the creature
(a female too) must have lived, who in death wants the accompaniment of
one genuine tear. That wretch who is removing the lid of the coffin to
gaze upon the corpse with a face which indicates a perfect negation of
all goodness or womanhood--the hypocrite parson and his demure
partner--all the fiendish group--to a thoughtful mind present a moral
emblem more affecting than if the poor friendless carcass had been
depicted as thrown out to the woods, where wolves had assisted at its
obsequies, itself furnishing forth its own funeral banquet.
It is easy to laugh at such incongruities as are met together in this
picture,--incongruous objects being of the very essence of
laughter,--but surely the laugh is far different in its kind from that
thoughtless species to which we are moved by mere farce and grotesque.
We laugh when Ferdinand Count Fathom, at the first sight of the white
cliffs of Britain, feels his heart yearn with filial fondness towards
the land of his progenitors, which he is coming to fleece and
plunder,--we smile at the exquisite irony of the passage,--but if we are
not led on by such passages to some more salutary feeling than laughter,
we are very negligent perusers of them in book or picture.
Public-domain text, read in full here on John Shaqi.
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