The Works of Charles and Mary Lamb — Volume 1: Miscellaneous ProseLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 1: Miscellaneous Prose
Lamb, Charles
English literature
Sir, imagine----but you have been present at the damning of a
piece----those who never had that felicity, I beg them to imagine--a
vast theatre, like that which Drury-lane was, before it was a heap of
dust and ashes (I insult not over its fallen greatness, let it recover
itself when it can for me, let it lift up its towering head once more,
and take in poor authors to write for it, hic cœstus artemque repono)--a
theatre like that, filled with all sorts of disgusting sounds,--shrieks,
groans, hisses, but chiefly the last, like the noise of many waters, or
that which Don Quixote heard from the fulling mills, or that wilder
combination of devilish sounds which St. Anthony listened to in the
wilderness.
O, Mr. Reflector, is it not a pity, that the sweet human voice, which
was given man to speak with, to sing with, to whisper tones of love in,
to express compliance, to convey a favour, or to grant a suit--that
voice, which in a Siddons, or a Braham, rouses us, in a Syren Catalani
charms and captivates us,--that the musical, expressive human voice
should be converted into a rival of the noises of silly geese, and
irrational venomous snakes!
I shall never forget the sounds on _my night_; I never before that time
fully felt the reception which the Author of All Ill in the Paradise
Lost meets with from the critics in the _pit_, at the final close of his
Tragedy upon the Human Race--though that, alas! met with too much
success--
----from innumerable tongues,
A dismal universal _hiss_, the sound
Of public scorn.--Dreadful was the din
Of _hissing_ through the hall, thick swarming now
With complicated monsters, head and tail,
Scorpion and asp, and Amphisbœna dire,
Cerastes horn'd, Hydrus, and Elops drear,
And Dipsas.
For hall substitute theatre, and you have the very image of what takes
place at what is called the _damnation_ of a piece,--and properly so
called; for here you see its origin plainly, whence the custom was
derived, and what the first piece was that so suffered. After this none
can doubt the propriety of the appellation.
But, sir, as to the justice of bestowing such appalling, heart-withering
denunciations of the popular obloquy, upon the venial mistake of a poor
author, who thought to please us in the act of filling his pockets,--for
the sum of his demerits amounts to no more than that,--it does, I own,
seem to me a species of retributive justice, far too severe for the
offence. A culprit in the pillory (bate the eggs) meets with no severer
exprobation.
Public-domain text, read in full here on John Shaqi.
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