The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
Rags, which are the reproach of poverty, are the Beggar's robes, and
graceful _insignia_ of his profession, his tenure, his full dress, the
suit in which he is expected to show himself in public. He is never
out of the fashion, or limpeth awkwardly behind it. He is not required
to put on court mourning. He weareth all colours, fearing none. His
costume hath undergone less change than the Quaker's. He is the only
man in the universe who is not obliged to study appearances. The ups
and downs of the world concern him no longer. He alone continueth
in one stay. The price of stock or land affecteth him not. The
fluctuations of agricultural or commercial prosperity touch him not,
or at worst but change his customers. He is not expected to become
bail or surety for any one. No man troubleth him with questioning his
religion or politics. He is the only free man in the universe. The
Mendicants of this great city were so many of her sights, her lions. I
can no more spare them than I could the Cries of London. No corner of
a street is complete without them. They are as indispensable as the
Ballad Singer; and in their picturesque attire as ornamental as the
Signs of old London. They were the standing morals, emblems, mementos,
dial-mottos, the spital sermons, the books for children, the salutary
checks and pauses to the high and rushing tide of greasy citizenry--
--Look
Upon that poor and broken bankrupt there.
Above all, those old blind Tobits that used to line the wall of
Lincoln's Inn Garden, before modern fastidiousness had expelled them,
casting up their ruined orbs to catch a ray of pity, and (if possible)
of light, with their faithful Dog Guide at their feet,--whither are
they fled? or into what corners, blind as themselves, have they been
driven, out of the wholesome air and sun-warmth? immersed between
four walls, in what withering poor-house do they endure the penalty
of double darkness, where the chink of the dropt half-penny no more
consoles their forlorn bereavement, far from the sound of the cheerful
and hope-stirring tread of the passenger? Where hang their useless
staves? and who will farm their dogs?--Have the overseers of St. L----
caused them to be shot? or were they tied up in sacks, and dropt into
the Thames, at the suggestion of B----, the mild rector of ----?
Well fare the soul of unfastidious Vincent Bourne, most classical, and
at the same time, most English, of the Latinists!--who has treated
of this human and quadrupedal alliance, this dog and man friendship,
in the sweetest of his poems, the _Epitaphium in Canem_, or, _Dog's
Epitaph_. Reader, peruse it; and say, if customary sights, which could
call up such gentle poetry as this, were of a nature to do more
harm or good to the moral sense of the passengers through the daily
thoroughfares of a vast and busy metropolis.
Public-domain text, read in full here on John Shaqi.
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