The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
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The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
Journeying northward lately, I could not resist going some few miles
out of my road to look upon the remains of an old great house with
which I had been impressed in this way in infancy. I was apprised that
the owner of it had lately pulled it down; still I had a vague notion
that it could not all have perished, that so much solidity with
magnificence could not have been crushed all at once into the mere
dust and rubbish which I found it.
The work of ruin had proceeded with a swift hand indeed, and the
demolition of a few weeks had reduced it to--an antiquity.
I was astonished at the indistinction of everything. Where had stood
the great gates? What bounded the court-yard? Whereabout did the
out-houses commence? a few bricks only lay as representatives of that
which was so stately and so spacious.
Death does not shrink up his human victim at this rate. The burnt
ashes of a man weigh more in their proportion.
Had I seen these brick-and-mortar knaves at their process of
destruction, at the plucking of every pannel I should have felt the
varlets at my heart. I should have cried out to them to spare a plank
at least out of the cheerful store-room, in whose hot window-seat I
used to sit and read Cowley, with the grass-plat before, and the hum
and flappings of that one solitary wasp that ever haunted it about
me--it is in mine ears now, as oft as summer returns; or a pannel of
the yellow room.
Why, every plank and pannel of that house for me had magic in it.
The tapestried bed-rooms--tapestry so much better than painting--not
adorning merely, but peopling the wainscots--at which childhood ever
and anon would steal a look, shifting its coverlid (replaced as
quickly) to exercise its tender courage in a momentary eye-encounter
with those stern bright visages, staring reciprocally--all Ovid on the
walls, in colours vivider than his descriptions. Actæon in mid sprout,
with the unappeasable prudery of Diana; and the still more provoking,
and almost culinary coolness of Dan Phoebus, eel-fashion, deliberately
divesting of Marsyas.
Then, that haunted room--in which old Mrs. Battle died--whereinto I
have crept, but always in the day-time, with a passion of fear; and
a sneaking curiosity, terror-tainted, to hold communication with the
past.--_How shall they build it up again?_
It was an old deserted place, yet not so long deserted but that
traces of the splendour of past inmates were everywhere apparent.
Its furniture was still standing--even to the tarnished gilt leather
battledores, and crumbling feathers of shuttlecocks in the nursery,
which told that children had once played there. But I was a lonely
child, and had the range at will of every apartment, knew every nook
and corner, wondered and worshipped everywhere.
Public-domain text, read in full here on John Shaqi.
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