The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
Or wherefore, else, O tattered and diminished 'Scutcheon that hung
upon the time-worn walls of thy princely stairs, BLAKESMOOR! have
I in childhood so oft stood poring upon thy mystic characters--thy
emblematic supporters, with their prophetic "Resurgam"--till, every
dreg of peasantry purging off, I received into myself Very Gentility?
Thou wert first in my morning eyes; and of nights, hast detained my
steps from bedward, till it was but a step from gazing at thee to
dreaming on thee.
This is the only true gentry by adoption; the veritable change of
blood, and not, as empirics have fabled, by transfusion.
Who it was by dying that had earned the splendid trophy, I know not,
I inquired not; but its fading rags, and colours cobweb-stained, told
that its subject was of two centuries back.
And what if my ancestor at that date was some Damoetas--feeding
flocks, not his own, upon the hills of Lincoln--did I in less
earnest vindicate to myself the family trappings of this once proud
Ægon?--repaying by a backward triumph the insults he might possibly
have heaped in his life-time upon my poor pastoral progenitor.
If it were presumption so to speculate, the present owners of the
mansion had least reason to complain. They had long forsaken the
old house of their fathers for a newer trifle; and I was left to
appropriate to myself what images I could pick up, to raise my fancy,
or to soothe my vanity.
I was the true descendant of those old W----s; and not the present
family of that name, who had fled the old waste places.
Mine was that gallery of good old family portraits, which as I have
gone over, giving them in fancy my own family name, one--and then
another--would seem to smile, reaching forward from the canvas, to
recognise the new relationship; while the rest looked grave, as
it seemed, at the vacancy in their dwelling, and thoughts of fled
posterity.
That Beauty with the cool blue pastoral drapery, and a lamb--that hung
next the great bay window--with the bright yellow H----shire hair, and
eye of watchet hue--so like my Alice!--I am persuaded she was a true
Elia--Mildred Elia, I take it.
Mine too, BLAKESMOOR, was thy noble Marble Hall, with its mosaic
pavements, and its Twelve Cæsars--stately busts in marble--ranged
round: of whose countenances, young reader of faces as I was, the
frowning beauty of Nero, I remember, had most of my wonder; but the
mild Galba had my love. There they stood in the coldness of death, yet
freshness of immortality.
Mine too, thy lofty Justice Hall, with its one chair of authority,
high-backed and wickered, once the terror of luckless poacher, or
self-forgetful maiden--so common since, that bats have roosted in it.
Public-domain text, read in full here on John Shaqi.
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