The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
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The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
his chair into a corner, as precipitately as possible, and feel fairly
rid of two nuisances.
There is a worse evil under the sun, and that is--a female Poor
Relation. You may do something with the other; you may pass him off
tolerably well; but your indigent she-relative is hopeless. "He is
an old humourist," you may say, "and affects to go threadbare. His
circumstances are better than folks would take them to be. You are
fond of having a Character at your table, and truly he is one." But
in the indications of female poverty there can be no disguise. No
woman dresses below herself from caprice. The truth must out without
shuffling. "She is plainly related to the L----s; or what does she at
their house?" She is, in all probability, your wife's cousin. Nine
times out of ten, at least, this is the case. Her garb is something
between a gentlewoman and a beggar, yet the former evidently
predominates. She is most provokingly humble, and ostentatiously
sensible to her inferiority. He may require to be repressed
sometimes--_aliquando sufflaminandus erat_--but there is no raising
her. You send her soup at dinner, and she begs to be helped--after the
gentlemen. Mr. ---- requests the honour of taking wine with her; she
hesitates between Port and Madeira, and chooses the former--because
he does. She calls the servant _Sir_; and insists on not troubling
him to hold her plate. The housekeeper patronizes her. The children's
governess takes upon her to correct her, when she has mistaken the
piano for a harpsichord.
Public-domain text, read in full here on John Shaqi.
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