The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
My first introduction to E., which afterwards ripened into an
acquaintance a little on this side of intimacy, was over a counter
of the Leamington Spa Library, then newly entered upon by a branch
of his family. E., whom nothing misbecame--to auspicate, I suppose,
the filial concern, and set it a going with a lustre--was serving in
person two damsels fair, who had come into the shop ostensibly to
inquire for some new publication, but in reality to have a sight of
the illustrious shopman, hoping some conference. With what an air did
he reach down the volume, dispassionately giving his opinion upon the
worth of the work in question, and launching out into a dissertation
on its comparative merits with those of certain publications of a
similar stamp, its rivals! his enchanted customers fairly hanging on
his lips, subdued to their authoritative sentence. So have I seen a
gentleman in comedy _acting_ the shopman. So Lovelace sold his gloves
in King Street. I admired the histrionic art, by which he contrived to
carry clean away every notion of disgrace, from the occupation he had
so generously submitted to; and from that hour I judged him, with no
after repentance, to be a person, with whom it would be a felicity to
be more acquainted.
To descant upon his merits as a Comedian would be superfluous. With
his blended private and professional habits alone I have to do;
that harmonious fusion of the manners of the player into those of
every day life, which brought the stage boards into streets, and
dining-parlours, and kept up the play when the play was ended.--"I
like Wrench," a friend was saying to him one day, "because he is the
same natural, easy creature, _on_ the stage, that he is _off_." "My
case exactly," retorted Elliston--with a charming forgetfulness,
that the converse of a proposition does not always lead to the same
conclusion--"I am the same person _off_ the stage that I am _on_." The
inference, at first sight, seems identical; but examine it a little,
and it confesses only, that the one performer was never, and the other
always, _acting_.
Public-domain text, read in full here on John Shaqi.
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