The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
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The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
He makes the most of himself; dividing himself, by an allowable
fiction, into as many distinct individuals, as he hath sore and
sorrowing members. Sometimes he meditates--as of a thing apart from
him--upon his poor aching head, and that dull pain which, dozing or
waking, lay in it all the past night like a log, or palpable substance
of pain, not to be removed without opening the very scull, as it
seemed, to take it thence. Or he pities his long, clammy, attenuated
fingers. He compassionates himself all over; and his bed is a very
discipline of humanity, and tender heart.
He is his own sympathiser; and instinctively feels that none can so
well perform that office for him. He cares for few spectators to his
tragedy. Only that punctual face of the old nurse pleases him, that
announces his broths, and his cordials. He likes it because it is
so unmoved, and because he can pour forth his feverish ejaculations
before it as unreservedly as to his bed-post.
To the world's business he is dead. He understands not what the
callings and occupations of mortals are; only he has a glimmering
conceit of some such thing, when the doctor makes his daily call:
and even in the lines of that busy face he reads no multiplicity of
patients, but solely conceives of himself as _the sick man_. To what
other uneasy couch the good man is hastening, when he slips out of
his chamber, folding up his thin douceur so carefully for fear of
rustling--is no speculation which he can at present entertain. He
thinks only of the regular return of the same phenomenon at the same
hour to-morrow.
Household rumours touch him not. Some faint murmur, indicative of life
going on within the house, soothes him, while he knows not distinctly
what it is. He is not to know any thing, not to think of any thing.
Servants gliding up or down the distant staircase, treading as
upon velvet, gently keep his ear awake, so long as he troubles not
himself further than with some feeble guess at their errands. Exacter
knowledge would be a burthen to him: he can just endure the pressure
of conjecture. He opens his eye faintly at the dull stroke of the
muffled knocker, and closes it again without asking "who was it?" He
is flattered by a general notion that inquiries are making after him,
but he cares not to know the name of the inquirer. In the general
stillness, and awful hush of the house, he lies in state, and feels
his sovereignty.
To be sick is to enjoy monarchal prerogatives. Compare the silent
tread, and quiet ministry, almost by the eye only, with which he is
served--with the careless demeanour, the unceremonious goings in
and out (slapping of doors, or leaving them open) of the very same
attendants, when he is getting a little better--and you will confess,
that from the bed of sickness (throne let me rather call it) to the
elbow chair of convalescence, is a fall from dignity, amounting to a
deposition.
Public-domain text, read in full here on John Shaqi.
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