The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
"Let us live while we can," methinks I hear the open-handed creature
exclaim; "while we have, let us not want," "here is plenty left;"
"want for nothing"--with many more such hospitable sayings, the
spurs of appetite, and old concomitants of smoaking boards, and
feast-oppressed chargers. Then sliding a slender ratio of Single
Gloucester upon his wife's plate, or the daughter's, he would convey
the remanent rind into his own, with a merry quirk of "the nearer the
bone," &c., and declaring that he universally preferred the outside.
For we had our table distinctions, you are to know, and some of us in
a manner sate above the salt. None but his guest or guests dreamed of
tasting flesh luxuries at night, the fragments were _verè hospilibus
sacra_. But of one thing or another there was always enough, and
leavings: only he would sometimes finish the remainder crust, to show
that he wished no savings.
Wine he had none; nor, except on very rare occasions, spirits;
but the sensation of wine was there. Some thin kind of ale I
remember--"British beverage," he would say! "Push about, my boys;"
"Drink to your sweethearts, girls." At every meagre draught a toast
must ensue, or a song. All the forms of good liquor were there, with
none of the effects wanting. Shut your eyes, and you would swear
a capacious bowl of punch was foaming in the centre, with beams of
generous Port or Madeira radiating to it from each of the table
corners. You got flustered, without knowing whence; tipsy upon
words; and reeled under the potency of his unperforming Bacchanalian
encouragements.
We had our songs--"Why, Soldiers, Why"--and the "British
Grenadiers"--in which last we were all obliged to bear chorus. Both
the daughters sang. Their proficiency was a nightly theme--the masters
he had given them--the "no-expence" which he spared to accomplish them
in a science "so necessary to young women." But then--they could not
sing "without the instrument."
Sacred, and by me, never-to-be violated, Secrets of Poverty! Should
I disclose your honest aims at grandeur, your make-shift efforts
of magnificence? Sleep, sleep, with all thy broken keys, if one of
the bunch be extant; thrummed by a thousand ancestral thumbs; dear,
cracked spinnet of dearer Louisa! Without mention of mine, be dumb,
thou thin accompanier of her thinner warble! A veil be spread over
the dear delighted face of the well-deluded father, who now haply
listening to cherubic notes, scarce feels sincerer pleasure than when
she awakened thy time-shaken chords responsive to the twitterings of
that slender image of a voice.
Public-domain text, read in full here on John Shaqi.
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