The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
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The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
A glimmer of understanding would appear in a corner of his
eye, and for lack of fuel go out again. A part of his forehead would
catch a little intelligence, and be a long time in communicating it to
the remainder.
I am ill at dates, but I think it is now better than five and twenty
years ago that walking in the gardens of Gray's Inn--they were then
far finer than they are now--the accursed Verulam Buildings had not
encroached upon all the east side of them, cutting out delicate green
crankles, and shouldering away one of two of the stately alcoves
of the terrace--the survivor stands gaping and relationless as if
it remembered its brother--they are still the best gardens of any
of the Inns of Court, my beloved Temple not forgotten--have the
gravest character, their aspect being altogether reverend and
law-breathing--Bacon has left the impress of his foot upon their
gravel walks--taking my afternoon solace on a summer day upon the
aforesaid terrace, a comely sad personage came towards me, whom from
his grave air and deportment I judged to be one of the old Benchers
of the Inn. He had a serious thoughtful forehead, and seemed to be
in meditations of mortality. As I have an instinctive awe of old
Benchers, I was passing him with that sort of subindicative token of
respect which one is apt to demonstrate towards a venerable stranger,
and which rather denotes an inclination to greet him than any
positive motion of the body to that effect--a species of humility and
will-worship which I observe nine times out of ten rather puzzles
than pleases the person it is offered to--when the face turning full
upon me strangely identified itself with that of Dodd. Upon close
inspection I was not mistaken. But could this sad thoughtful
countenance be the same vacant face of folly which I had hailed so
often under circumstances of gaiety; which I had never seen without
a smile, or recognized but as the usher of mirth; that looked out
so formally flat in Foppington, so frothily pert in Tattle, so
impotently busy in Backbite; so blankly divested of all meaning, or
resolutely expressive of none, in Acres, in Fribble, and a thousand
agreeable impertinences? Was this the face--full of thought and
carefulness--that had so often divested itself at will of every trace
of either to give me diversion, to clear my cloudy face for two or
three hours at least of its furrows? Was this the face--manly, sober,
intelligent,--which I had so often despised, made mocks at, made merry
with? The remembrance of the freedoms which I had taken with it came
upon me with a reproach of insult. I could have asked it pardon. I
thought it looked upon me with a sense of injury. There is something
strange as well as sad in seeing actors--your pleasant fellows
particularly--subjected to and suffering the common lot--their
fortunes, their casualties, their deaths, seem to belong to the scene,
their actions to be amenable to poetic justice only. We can hardly
Public-domain text, read in full here on John Shaqi.
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