The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of EliaLamb, Charles
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The Works of Charles and Mary Lamb — Volume 2: Elia and The Last Essays of Elia
Lamb, Charles
English essays
--Names, whose sense we see not,
Fray us with things that be not?
Is it that we naturally conceive terror from such objects, considered
in their capacity of being able to inflict upon us bodily injury?--O,
least of all! These terrors are of older standing. They date beyond
body--or, without the body, they would have been the same. All the
cruel, tormenting, defined devils in Dante--tearing, mangling,
choking, stifling, scorching demons--are they one half so fearful
to the spirit of a man, as the simple idea of a spirit unembodied
following him--
Like one that on a lonesome road
Doth walk in fear and dread,
And having once turn'd round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.[1]
That the kind of fear here treated of is purely spiritual--that it
is strong in proportion as it is objectless upon earth--that it
predominates in the period of sinless infancy--are difficulties,
the solution of which might afford some probable insight into our
antemundane condition, and a peep at least into the shadow-land of
pre-existence.
My night-fancies have long ceased to be afflictive. I confess an
occasional night-mare; but I do not, as in early youth, keep a stud of
them. Fiendish faces, with the extinguished taper, will come and look
at me; but I know them for mockeries, even while I cannot elude their
presence, and I fight and grapple with them. For the credit of my
imagination, I am almost ashamed to say how tame and prosaic my dreams
are grown. They are never romantic, seldom even rural. They are of
architecture and of buildings--cities abroad, which I have never seen,
and hardly have hope to see. I have traversed, for the seeming length
of a natural day, Rome, Amsterdam, Paris, Lisbon--their churches,
palaces, squares, market-places, shops, suburbs, ruins, with an
inexpressible sense of delight--a map-like distinctness of trace--and
a day-light vividness of vision, that was all but being awake.--I have
formerly travelled among the Westmoreland fells--my highest Alps,--but
they are objects too mighty for the grasp of my dreaming recognition;
and I have again and again awoke with ineffectual struggles of the
inner eye, to make out a shape in any way whatever, of Helvellyn.
Methought I was in that country, but the mountains were gone. The
poverty of my dreams mortifies me. There is Coleridge, at his will
can conjure up icy domes, and pleasure-houses for Kubla Khan, and
Abyssinian maids, and songs of Abara, and caverns,
Where Alph, the sacred river, runs,
Public-domain text, read in full here on John Shaqi.
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