The Works of Charles and Mary Lamb — Volume 3: Books for ChildrenLamb, Charles
General
The Works of Charles and Mary Lamb — Volume 3: Books for Children
Lamb, Charles
Children's poetry; Children's stories
this seeming page, as well as the maidenly reserve which is the chief
ornament of a lady's character, that she resolved to court the love of
young Cesario, and sent a servant after him with a diamond ring, under
the pretence that he had left it with her as a present from Orsino.
She hoped, by thus artfully making Cesario a present of the ring, she
should give him some intimation of her design; and truly it did make
Viola suspect; for knowing that Orsino had sent no ring by her, she
began to recollect that Olivia's looks and manner were expressive of
admiration, and she presently guessed her master's mistress had fallen
in love with her. "Alas," said she, "the poor lady might as well love
a dream. Disguise I see is wicked, for it has caused Olivia to breathe
as fruitless sighs for me, as I do for Orsino."
Viola returned to Orsino's palace, and related to her lord the ill
success of the negociation, repeating the command of Olivia, that
the duke should trouble her no more. Yet still the duke persisted in
hoping that the gentle Cesario would in time be able to persuade her
to shew some pity, and therefore he bade him he should go to her again
the next day. In the mean time, to pass away the tedious interval,
he commanded a song which he loved to be sung; and he said, "My good
Cesario, when I heard that song last night, methought it did relieve
my passion much. Mark it, Cesario, it is old and plain. The spinsters
and the knitters when they sit in the sun, and the young maids that
weave their thread with bone, chaunt this song. It is silly, yet I
love it, for it tells of the innocence of love in the old times."
SONG
Come away, come away, Death,
And in sad cypress let me be laid;
Fly away, fly away, breath,
I am slain by a fair cruel maid.
My shroud of white stuck all with yew, O prepare it,
My part of death no one so true did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strown:
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown.
A thousand thousand sighs to save, lay me O where
Sad true lover never find my grave, to weep there.
Viola did not fail to mark the words of the old song, which in such
true simplicity described the pangs of unrequited love, and she bore
testimony in her countenance of feeling what the song expressed. Her
sad looks were observed by Orsino, who said to her, "My life upon it,
Cesario, though you are so young, your eye has looked upon some face
that it loves; has it not, boy?" "A little, with your leave," replied
Viola. "And what kind of woman, and of what age is she?" said Orsino.
"Of your age, and of your complexion, my lord," said Viola; which made
the duke smile to hear this fair young boy loved a woman so much older
than himself, and of a man's dark complexion; but Viola secretly meant
Orsino, and not a woman like him.
Public-domain text, read in full here on John Shaqi.
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