One reason why the ludicrous never fails to intrude itself into our contemplations upon this mode of death, I suppose to be, the absurd posture into which a man is thrown who is condemned to dance, as the vulgar delight to express it, upon nothing. To see him whisking and wavering in the air, "As the wind you know will wave a man;"[1] to behold the vacant carcass, from which the life is newly dislodged, shifting between earth and heaven, the sport of every gust; like a weathercock, serving to show from which point the wind blows; like a maukin, fit only to scare away birds; like a nest left to swing upon a bough when the bird is flown: these are uses to which we cannot without a mixture of spleen and contempt behold the human carcass reduced. We string up dogs, foxes, bats, moles, weasels. Man surely deserves a steadier death. [Footnote 1: Hieronimo in the Spanish Tragedy.] Another reason why the ludicrous associates more forcibly with this than with any other mode of punishment, I cannot help thinking to be, the senseless costume with which old prescription has thought fit to clothe the exit of malefactors in this country. Let a man do what he will to abstract from his imagination all idea of the whimsical, something of it will come across him when he contemplates the figure of a fellow-creature in the daytime (in however distressing a situation) in a nightcap. Whether it be that this nocturnal addition has something discordant with daylight, or that it is the dress which we are seen in at those times when we are "seen," as the Angel in Milton expresses it, "least wise,"--this, I am afraid, will always be the case; unless, indeed, as in my instance, some strong personal feeling overpower the ludicrous altogether. To me, when I reflect upon the train of misfortunes which have pursued men through life, owing to that accursed drapery, the cap presents as purely frightful an object as the sleeveless yellow coat and devil-painted mitre of the San Benitos.--An ancestor of mine, who suffered for his loyalty in the time of the civil wars, was so sensible of the truth of what I am here advancing, that on the morning of execution, no entreaties could prevail upon him to submit to the odious dishabille, as he called it, but he insisted upon wearing, and actually suffered in, the identical, flowing periwig which he is painted in, in the gallery belonging to my uncle's seat in ----shire.