The Works of Christopher Marlowe, Vol. 2 (of 3)Marlowe, Christopher
General
The Works of Christopher Marlowe, Vol. 2 (of 3)
Marlowe, Christopher
English drama -- Early modern and Elizabethan, 1500-1600
[255] "The exclamation of those who repent what they have rashly
done."--_Dyce._
[256] Here and throughout iii. II, the 4tos give "Mat" and "Matreuis"
for "Arundel." The mistake arose, as Dyce pointed out, by the parts of
Arundel and Matrevis having been taken by the same actor.
[257] Scene: the open country (near Warwick?).
[258] The meaning is surely "ghost, spirit," not, as Mr. Fleay
interprets, "representative, plenipotentiary."
[259] Scene: neighbourhood of Borrowbridge.
[260] Braggard challenges.
[261] Fr. haut.
[262] Old eds "the."
[263] So ed. 1612.--Ed. 1598 "come."
[264] Cunningham and Mr. Fleay silently print "more."
[265] Ed. 1598 "heres is."--Ed. 1612, 1622, "heres."
[266] So ed. 1622.--Eds. 1598, 1612, "roote."
[267] So ed. 1612.--Ed. 1598 "leave."
[268] Schemes.
[269] So ed. 1612.--Ed. 1589 "It is."
[270] Rule.
[271] Old eds. "leuied."
[272] Old eds. "claps close."
[273] Scene: London, near the Tower.
[274] Scene: Paris.
[275] So eds. 1598, 1622.--Ed. 1612 "goe."
[276] Mr. Fleay reads "please," supposing that the letters _th_ are
repeated from the next word.
[277] Dyce's correction "on" seems to be quite unnecessary.
[278] Dyce needlessly reads "part."
[279] Equipped to meet our foes.
[280] Earned.
[281] An allusion to the game of _Prisoner's Base_. To "bid a base" is
for a player to run into the centre and challenge one of the opposite
party to pursue.
[282] Scene: the royal palace, London.
[283] Old eds. "_Matr._" and "_Matreuis._"--The elder Spencer is a _muta
persona_. Mr. Fleay, who ousts him altogether from this scene, observes
"There is no hint of Old Spencer being on the stage after the third
act,"--strangely forgetting that he is introduced in the fifth scene of
the present act.
[284] Old eds. "_Matr._"
[285] So ed. 1598.--Eds. 1612, 1622, "not long ago."
[286] Old eds. "Isabell."
[287] Cf. _Romeo and Juliet_, iii. 2:--"Gallop apace you fiery-footed
steeds," &c.
[288] Scene: the neighbourhood of Harwich.
[289] Kennel.
[290] Scene: the neighbourhood of Bristol.
[291] So ed. 1622.--Eds. 1598, 1612, "successfulls."
[292] As in l. 21 Kent determined to "dissemble," I have not changed the
prefix of the old eds. Dyce gives the words to _Y. Mor._ Mr. Fleay
prints--
"_Kent._ This, Edward, is the ruin, &c.
[_To the Prince._"
[293] Scene: the Abbey of Neath, Glamorganshire.
[294] So ed. 1598.--Omitted in ed. 1612. (Ed. 1622 "thy.")
[295] So eds. 1598, 1612.--Ed. 1622 "_with_ sore" (and so Dyce.)
[296] So eds. 1612, 1622.--Ed. 1598 "open."
[297] Seneca _Thyestes_, 613.
[298] Old form of "yearns."
[299] So old eds. The repetition of "and these" in the next line is
certainly suspicious. Dyce proposed
"For friends hath _hapless_ Edward none but these,
And these must die," &c.
Mr. Fleay's suggestion that "these and these" are "the 'hags' and
'Spencer and Baldock,'" seems very questionable.
[300] Mr. Fleay prints this speech as verse:
Public-domain text, read in full here on John Shaqi.
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