The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five VolumesPoe, Edgar Allan
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The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five Volumes
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Indexes; Poe, Edgar Allan, 1809-1849; Short stories
“You kept your eyes upon the ground—glancing, with a petulant
expression, at the holes and ruts in the pavement, (so that I saw
you were still thinking of the stones,) until we reached the
little alley called Lamartine, which has been paved, by way of
experiment, with the overlapping and riveted blocks. Here your
countenance brightened up, and, perceiving your lips move, I
could not doubt that you murmured the word ‘stereotomy,’ a term
very affectedly applied to this species of pavement. I knew that
you could not say to yourself ‘stereotomy’ without being brought
to think of atomies, and thus of the theories of Epicurus; and
since, when we discussed this subject not very long ago, I
mentioned to you how singularly, yet with how little notice, the
vague guesses of that noble Greek had met with confirmation in
the late nebular cosmogony, I felt that you could not avoid
casting your eyes upward to the great _nebula_ in Orion, and I
certainly expected that you would do so. You did look up; and I
was now assured that I had correctly followed your steps. But in
that bitter _tirade_ upon Chantilly, which appeared in
yesterday’s ‘_Musée_,’ the satirist, making some disgraceful
allusions to the cobbler’s change of name upon assuming the
buskin, quoted a Latin line about which we have often conversed.
I mean the line
Perdidit antiquum litera prima sonum.
“I had told you that this was in reference to Orion, formerly
written Urion; and, from certain pungencies connected with this
explanation, I was aware that you could not have forgotten it. It
was clear, therefore, that you would not fail to combine the two
ideas of Orion and Chantilly. That you did combine them I saw by
the character of the smile which passed over your lips. You
thought of the poor cobbler’s immolation. So far, you had been
stooping in your gait; but now I saw you draw yourself up to your
full height. I was then sure that you reflected upon the
diminutive figure of Chantilly. At this point I interrupted your
meditations to remark that as, in fact, he was a very little
fellow—that Chantilly—he would do better at the _Théâtre des
Variétés_.”
Not long after this, we were looking over an evening edition of
the “Gazette des Tribunaux,” when the following paragraphs
arrested our attention.
Public-domain text, read in full here on John Shaqi.
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