The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five VolumesPoe, Edgar Allan
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The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five Volumes
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Indexes; Poe, Edgar Allan, 1809-1849; Short stories
“I have not asserted that it is,” said he; “but, before we decide
this point, I wish you to glance at the little sketch I have here
traced upon this paper. It is a _fac-simile_ drawing of what has
been described in one portion of the testimony as ‘dark bruises,
and deep indentations of finger nails,’ upon the throat of
Mademoiselle L’Espanaye, and in another (by Messrs. Dumas and
Etienne,) as a ‘series of livid spots, evidently the impression
of fingers.’
“You will perceive,” continued my friend, spreading out the paper
upon the table before us, “that this drawing gives the idea of a
firm and fixed hold. There is no _slipping_ apparent. Each finger
has retained—possibly until the death of the victim—the fearful
grasp by which it originally imbedded itself. Attempt, now, to
place all your fingers, at the same time, in the respective
impressions as you see them.”
I made the attempt in vain.
“We are possibly not giving this matter a fair trial,” he said.
“The paper is spread out upon a plane surface; but the human
throat is cylindrical. Here is a billet of wood, the
circumference of which is about that of the throat. Wrap the
drawing around it, and try the experiment again.”
I did so; but the difficulty was even more obvious than before.
“This,” I said, “is the mark of no human hand.”
“Read now,” replied Dupin, “this passage from Cuvier.”
It was a minute anatomical and generally descriptive account of
the large fulvous Ourang-Outang of the East Indian Islands. The
gigantic stature, the prodigious strength and activity, the wild
ferocity, and the imitative propensities of these mammalia are
sufficiently well known to all. I understood the full horrors of
the murder at once.
“The description of the digits,” said I, as I made an end of
reading, “is in exact accordance with this drawing. I see that no
animal but an Ourang-Outang, of the species here mentioned, could
have impressed the indentations as you have traced them. This
tuft of tawny hair, too, is identical in character with that of
the beast of Cuvier. But I cannot possibly comprehend the
particulars of this frightful mystery. Besides, there were _two_
voices heard in contention, and one of them was unquestionably
the voice of a Frenchman.”
Public-domain text, read in full here on John Shaqi.
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