The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five VolumesPoe, Edgar Allan
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The Works of Edgar Allan Poe, The Raven Edition: Table Of Contents And Index Of The Five Volumes
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Indexes; Poe, Edgar Allan, 1809-1849; Short stories
When, at length, we had concluded our examination, and the
intense excitement of the time had, in some measure, subsided,
Legrand, who saw that I was dying with impatience for a solution
of this most extraordinary riddle, entered into a full detail of
all the circumstances connected with it.
“You remember;” said he, “the night when I handed you the rough
sketch I had made of the _scarabæus_. You recollect also, that I
became quite vexed at you for insisting that my drawing resembled
a death’s-head. When you first made this assertion I thought you
were jesting; but afterwards I called to mind the peculiar spots
on the back of the insect, and admitted to myself that your
remark had some little foundation in fact. Still, the sneer at my
graphic powers irritated me—for I am considered a good
artist—and, therefore, when you handed me the scrap of parchment,
I was about to crumple it up and throw it angrily into the fire.”
“The scrap of paper, you mean,” said I.
“No; it had much of the appearance of paper, and at first I
supposed it to be such, but when I came to draw upon it, I
discovered it, at once, to be a piece of very thin parchment. It
was quite dirty, you remember. Well, as I was in the very act of
crumpling it up, my glance fell upon the sketch at which you had
been looking, and you may imagine my astonishment when I
perceived, in fact, the figure of a death’s-head just where, it
seemed to me, I had made the drawing of the beetle. For a moment
I was too much amazed to think with accuracy. I knew that my
design was very different in detail from this—although there was
a certain similarity in general outline. Presently I took a
candle, and seating myself at the other end of the room,
proceeded to scrutinize the parchment more closely. Upon turning
it over, I saw my own sketch upon the reverse, just as I had made
it. My first idea, now, was mere surprise at the really
remarkable similarity of outline—at the singular coincidence
involved in the fact, that unknown to me, there should have been
a skull upon the other side of the parchment, immediately beneath
my figure of the _scarabæus_, and that this skull, not only in
outline, but in size, should so closely resemble my drawing. I
say the singularity of this coincidence absolutely stupefied me
for a time. This is the usual effect of such coincidences. The
mind struggles to establish a connexion—a sequence of cause and
effect—and, being unable to do so, suffers a species of temporary
paralysis. But, when I recovered from this stupor, there dawned
upon me gradually a conviction which startled me even far more
than the coincidence. I began distinctly, positively, to remember
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