The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
General
The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
It was a voluptuous scene, that masquerade. But first let me tell
of the rooms in which it was held. There were seven—an imperial
suite. In many palaces, however, such suites form a long and
straight vista, while the folding doors slide back nearly to the
walls on either hand, so that the view of the whole extent is
scarcely impeded. Here the case was very different; as might have
been expected from the duke’s love of the bizarre. The apartments
were so irregularly disposed that the vision embraced but little
more than one at a time. There was a sharp turn at every twenty
or thirty yards, and at each turn a novel effect. To the right
and left, in the middle of each wall, a tall and narrow Gothic
window looked out upon a closed corridor which pursued the
windings of the suite. These windows were of stained glass whose
color varied in accordance with the prevailing hue of the
decorations of the chamber into which it opened. That at the
eastern extremity was hung, for example, in blue—and vividly blue
were its windows. The second chamber was purple in its ornaments
and tapestries, and here the panes were purple. The third was
green throughout, and so were the casements. The fourth was
furnished and lighted with orange—the fifth with white—the sixth
with violet. The seventh apartment was closely shrouded in black
velvet tapestries that hung all over the ceiling and down the
walls, falling in heavy folds upon a carpet of the same material
and hue. But in this chamber only, the color of the windows
failed to correspond with the decorations. The panes here were
scarlet—a deep blood color. Now in no one of the seven apartments
was there any lamp or candelabrum, amid the profusion of golden
ornaments that lay scattered to and fro or depended from the
roof. There was no light of any kind emanating from lamp or
candle within the suite of chambers. But in the corridors that
followed the suite, there stood, opposite to each window, a heavy
tripod, bearing a brazier of fire that projected its rays through
the tinted glass and so glaringly illumined the room. And thus
were produced a multitude of gaudy and fantastic appearances. But
in the western or black chamber the effect of the fire-light that
streamed upon the dark hangings through the blood-tinted panes,
was ghastly in the extreme, and produced so wild a look upon the
countenances of those who entered, that there were few of the
company bold enough to set foot within its precincts at all.
Public-domain text, read in full here on John Shaqi.
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