The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
It is impossible that any deed could have been wrought with a
more thorough deliberation. For weeks, for months, I pondered
upon the means of the murder. I rejected a thousand schemes,
because their accomplishment involved a _chance_ of detection. At
length, in reading some French memoirs, I found an account of a
nearly fatal illness that occurred to Madame Pilau, through the
agency of a candle accidentally poisoned. The idea struck my
fancy at once. I knew my victim’s habit of reading in bed. I
knew, too, that his apartment was narrow and ill-ventilated. But
I need not vex you with impertinent details. I need not describe
the easy artifices by which I substituted, in his bed-room
candle-stand, a wax-light of my own making for the one which I
there found. The next morning he was discovered dead in his bed,
and the coroner’s verdict was—“Death by the visitation of God.”
Having inherited his estate, all went well with me for years. The
idea of detection never once entered my brain. Of the remains of
the fatal taper I had myself carefully disposed. I had left no
shadow of a clew by which it would be possible to convict, or
even to suspect me of the crime. It is inconceivable how rich a
sentiment of satisfaction arose in my bosom as I reflected upon
my absolute security. For a very long period of time I was
accustomed to revel in this sentiment. It afforded me more real
delight than all the mere worldly advantages accruing from my
sin. But there arrived at length an epoch, from which the
pleasurable feeling grew, by scarcely perceptible gradations,
into a haunting and harassing thought. It harassed because it
haunted. I could scarcely get rid of it for an instant. It is
quite a common thing to be thus annoyed with the ringing in our
ears, or rather in our memories, of the burthen of some ordinary
song, or some unimpressive snatches from an opera. Nor will we be
the less tormented if the song in itself be good, or the opera
air meritorious. In this manner, at last, I would perpetually
catch myself pondering upon my security, and repeating, in a low
undertone, the phrase, “I am safe.”
One day, whilst sauntering along the streets, I arrested myself
in the act of murmuring, half aloud, these customary syllables.
In a fit of petulance, I remodelled them thus: “I am safe—I am
safe—yes—if I be not fool enough to make open confession!”
Public-domain text, read in full here on John Shaqi.
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