The Works of Edgar Allan Poe — Volume 2Poe, Edgar Allan
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The Works of Edgar Allan Poe — Volume 2
Poe, Edgar Allan
American fiction -- 19th century; Fantasy fiction; Horror tales, American; Short stories
Ill-fated and mysterious man!—bewildered in the brilliancy of
thine own imagination, and fallen in the flames of thine own
youth! Again in fancy I behold thee! Once more thy form hath
risen before me!—not—oh! not as thou art—in the cold valley and
shadow—but as thou _shouldst be_—squandering away a life of
magnificent meditation in that city of dim visions, thine own
Venice—which is a star-beloved Elysium of the sea, and the wide
windows of whose Palladian palaces look down with a deep and
bitter meaning upon the secrets of her silent waters. Yes! I
repeat it—as thou _shouldst be_. There are surely other worlds
than this—other thoughts than the thoughts of the multitude—other
speculations than the speculations of the sophist. Who then shall
call thy conduct into question? who blame thee for thy visionary
hours, or denounce those occupations as a wasting away of life,
which were but the overflowings of thine everlasting energies?
It was at Venice, beneath the covered archway there called the
_Ponte di Sospiri_, that I met for the third or fourth time the
person of whom I speak. It is with a confused recollection that I
bring to mind the circumstances of that meeting. Yet I
remember—ah! how should I forget?—the deep midnight, the Bridge
of Sighs, the beauty of woman, and the Genius of Romance that
stalked up and down the narrow canal.
It was a night of unusual gloom. The great clock of the Piazza
had sounded the fifth hour of the Italian evening. The square of
the Campanile lay silent and deserted, and the lights in the old
Ducal Palace were dying fast away. I was returning home from the
Piazetta, by way of the Grand Canal. But as my gondola arrived
opposite the mouth of the canal San Marco, a female voice from
its recesses broke suddenly upon the night, in one wild,
hysterical, and long continued shriek. Startled at the sound, I
sprang upon my feet: while the gondolier, letting slip his single
oar, lost it in the pitchy darkness beyond a chance of recovery,
and we were consequently left to the guidance of the current
which here sets from the greater into the smaller channel. Like
some huge and sable-feathered condor, we were slowly drifting
down towards the Bridge of Sighs, when a thousand flambeaux
flashing from the windows, and down the staircases of the Ducal
Palace, turned all at once that deep gloom into a livid and
preternatural day.
Public-domain text, read in full here on John Shaqi.
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